Saturday, April 30, 2005

ying yang twins tracklist

This is a tentative tracklist for United State of Atlanta:


1. Intro ­ All Good Things
2. Wait (The Whisper Song)
3. Wiggle Then Move
4. 4 Oz. Feat. Three 6 Mafia
5. Belle feat. Anthony Hamilton
6. Live Again feat. Maroon 5
7. Shake feat. Pitbull
8. Brother feat. Cutty
9. Ghetto Classics
10. Hoes feat. Jacki O
11. Boom Boom (ColliPark Remix) feat. Britney Spears
12. Hair
13. Duts
14. Bedroom Boom feat. Avant
15. Pink Pather
16. Badd feat. Mike Jones
17. 23 Hr. Lock Down feat. Bun B
18. Untitled feat. Lil Jon & Teedra Moses (produced by Lil Jon)

Thursday, April 28, 2005

reggaeton remixes!!!



What up man, its 6:43 in the morning as I'm typing this, I'm totally fucked up so I was like "Man, I should post on the shrimp" so here you go. Two hot motherfucker reggaeton remixes. I was telling my friend Jake the other day how if I don't like a song, shit give it a reggaeton remix and I will feel it. So with songs that are already 101 degreez of fucking fire, its just that much hotter. I think everything should have a reggaeton remix. Fuck yes. Blow up your own fucking party with this shit:

Notorious B.I.G. - Hypnotize (Reggaeton Remix)

SNOOOOOOOOOOP! (Reggaeton Remix)

Monday, April 25, 2005

Gonna Getcha Head Bust



I've been meaning to post up some shit about Balance for a minute. A couple other sites out there have posted up about him because he's got some boys working on that blog grind for him. I like Balance's shit so I agreed to throw up some shit, I just lagged on it cause I'm lazy like that. Anyways Balance is down with Frontline and E-A-Ski. They are all pretty much teaming up trying to push that whole New Bay shit. Balance himself has been putting in work hooking up tracks with G-unit, E-A-Ski, Chamillioniare, Stat Quo, Royce da 5' 9, Frontline, and shit even Planet Asia. He's the self proclaimed bay area mixtape king and he's got the appearances to back it up. You'll have to excuse this post, it's more halfass than usual because I'm rushing out the door right now cause I got to hit up a show tonight but whatever, on with the mp3's. That's all you fuckers really give a shit about anyways.

What Up
Balances current radio track trying to tell people to step up in the motherfucker club. It's got some cutesy exploding drums going down breaking up those congos.

8 ball feat Locksmith & Royce Da 5' 9
Just wrecking over that You Don't Want Drama beat.

Roll Wit Me feat Chamillionaire & Stat Quo
Pimping ain't a hobby



since I'm posting about Balance I figured I'd throw up this new frontline joint. The 12" just dropped this past week or so. Meant to post this up last week but more laziness. E-A-Ski did the beat and it sounds like they are trying to cash in on that Ying Yang joint with those bass tones. They don't bring the whispering though and the beat isn't as stripped down as "Wait" but it's totally riding that shit.

Bang It

oh and I got one more thing I want to post about before I cut out. It's this Wreck Shop Family track off Doin It For Texas 2k4, I was bumping this shit on the way home and it made me think of teddy bears and lolipops which is exactly what this website is all about.

Unfuckwitable

Sunday, April 24, 2005

ghetto panick, equinoxx, applause



Capleton - Wuk Dem (Ghetto Panick rhythm)

One of those dirty, banging straight-up HARD rhythms like Gunz Up or something, sirens, yelling, clapping, urban militaristic thud every bar, and Capleton does his ODB-style wavering growl, laughs at himself with quick inhalation-gasps, sings the hook with what sounds like malevolent joy. There are harder tracks out there but this will do for now, everything else sounds so happy this year. For instance:

TOK - Ride My Pony (Equinoxx Rhythm)

This is one of those organic sounding rhythms with er "real" instruments, acoustic guitar, (vocodered?) R&B chorus. The new TOK album is really great, this is just OK, and its not on the album thankfully. I dunno I'm not so into this traditional sounding shit really, I like it when the rhythms hurt my ears. This is nice and sugary though.

Martina - Private Dancer (Applause Rhythm)

I love this, infectious syncopated clapping-stomp rhythm with buzzing bass and stoic little modal bells chiming in the background. Martina sings about how she likes to dance, "back it up and push it," so you know she's got it going on. That "private dance that he loves to see." Clap, clap, clap.

I'll talk about the TOK album a little later on, it's very good, one of the best albums I've heard this year. I'm sort of talking out my ass when it comes to dancehall, I love this stuff and listen to it pretty compulsively but my perspective is a little skewed, Ragga Ragga Ragga collections from the past couple years, whatever records I could scoop up at gramaphone (they don't really have much of a selection when it comes to dancehall, although they seem to like this Kevin Lyttle cat) and the stuff i get from my friend Monique who is the big expert, plus the internet. I think the folks at Spizzazz seem pretty up on dancehall, check them out for a somewhat more informed perspective. (I don't know much but I know what I like etc.)

This song is like musical quinine balled up in my stomach, eerie does not begin to describe the sinking feeling in my chest listening to this track, and B.G. says "you scaaaaared" and I feel like he's underestimating the nausea, the spine-tickling fear that grips you, it's total rat-trapped claustrophobia. These ain't no fucking jingle bells, they shift slightly downward in pitch, a musical asthma attack. Fuck. B.G. raps in a low voice, braggadocious shifting into creepy confidence, "Cracking a pen and pad is all I had." Homebwoi sounds appropriately freaked. Whats ya heart beatin for?

Saturday, April 23, 2005

What's All That Gun Powder Smell?



Thanks to B-Cause(4OneFunk) I got my hands on some early 90's wannabe Ice Cube with a jerry curl type shit. You'd be highly advised to purchase his and Ross Hogg's Slump And Grind mix. Network F1 released this record back in 1991 on TCB records, some shit out of Burbank California. The album opens with Time Flies, this dope little intro of various young women telling the same story. It starts with a young girl speaking over some ice cream truck jingle and thunder. As the intro progresses the voice ages until it becomes an older woman speaking over the same thunder and the cries of a hungry baby.

Time Flies

After that cutesy intro Network F1 comes in with a song called Pro Hate. This is where you get your first taste of how hard dude is trying to sound like Cube. The whole song I'm just waiting for him to yell "punk police" especially after that dead in the bushes line. Whatever though this shit is dope even if the guy is riding cube so hard.

Pro Hate

Next is this 2nd Time interlude about some cop asking some kids if some gangbangers shot them. The interlude plays into last song on the a-side, "Mirror Mirror I See A Killer." This track has some other dude rapping on it with the first guy. I don't know any of their names, the record just says Network F1 and I haven't been able to find any info on these guys. The beat on this track is just some fast paced boom bap shit over some stretched out bass tones. It's fucking great. They close out the song giving shoutouts and threats to people no one knows.

2nd Time/Mirror Mirror I See A Killer

The B-side kicks off with a short intro called Statistics, that last about 22 seconds and is some reporter running down some stats for shootings in LA during some interview asking some dude what he thinks about it. Following that track is "Welcome To The Neighborhood," a song mobbing through the hood dealing with bullshit and pulling gats on fools trying to break the hate that makes you want to kill.

Statistics/Welcome To The Neighborhood

The next joint is Mean Season which is more of that angry in LA with nothing to do but start shit type music that the rest of the record is based around. Where this song differs from the rest of the tracks is about just under a minute into it there is some fucking crazy rock break down. All of a sudden you hear some radio static and then some crazy thrashing of guitars as this dude from Network F1 shouts out his boys in Pelican Bay and how he hates your face. This lasts for about 20 seconds before the same radio static brings you back to the boom bap. I know what they were going for with that rock shit but goddamn it doesn't work. They just threw in some random guitar solo that just made the shit sound like noise. Whatever though, the rest of the song is dope.

Mean Season

The last song on this shit is "Tired Of The Jackin." They bring the pace down on this one to close out the record to reminisce about the times they use to shoot basketball without having to sweat a dude rolling up on you in the drive thru jacking you for your nissan truck on triple gold daytons. As he has come up he's gotten into jacking but as he brags about the shit he pulls he also preaches about how he's sick of pumping that mossberg.

Tired Of The Jackin

I think this record is fucking great. It's that aggressive westcoast fast tempo shit I love. There is some better shit out there but if you need a supplement to amerikkka's most wanted then find this shit. This kind of shit takes me back to early 90's when I rocked my dickies as hard as I could just so girls with hella aqua net and massive hoop earrings would notice me at the lowrider world tour at the Mesa Amphitheater with my 69 schwinn sitting on whitewalls.

Friday, April 22, 2005

ON MY MOMMA

I was gonna do a big dancehall roundup today because I got the new TOK album and heard some hot new rhythms (chromatic ghetto panick, folks!) but then I got drunk and hung out with my friends, so instead

ON MY MOMMA!

If you remember when I was talking about Swing I mentioned that he was on the regional hit "On My Momma!" from 2002, which was so popular that True Enuff and Swing and Biggie soundalike Big Huss performed it on Jenny Jones. Yes, thats right, Jenny fucking Jones, this song was mega. I don't know what was going down with Dunn Ruff entertainment, they had a deal with Universal for this single but unfortunately this was no Cha Cha Slide, I guess it never poked its head very far above ground. This Chicago turn-of-phrase is like the perfect concept for a chorus, decent-to-great rapping throughout, I donno I just like the track straight up. ON MY MOMMA. Cold.

Wednesday, April 20, 2005

Kanye West - Diamonds

I'm not even gonna throw up the mp3 on this because it'll be all over the net soon anyway, but this is much better than I expected from Kanye, much better than anything on the Common LP (which lets face it is pleasant and fun but it's going to get a lot lot more attention than it deserves), it's total letterbox panoramic production with that buzzing bass that Green Lantern likes to use, the sound of dramatic pop-chart conquest, widescreen, ecstatic, celebratory triumphalism, from "Close your eyes and imagine, feel the magic/ Vegas on acid, seen through Yves-St. Laurent glasses..." to the prog-harpsichord instrumental at the end, thunderous boom and the silence, a theatrical trailer to the most anticipated. Expectations notched up to eleven.

Tuesday, April 19, 2005

make it happen

Speaking of C-Rayz, I don't like him very much. Talk about one-dimensional man - his rhyme style is total punchline overload which is very entertaining the first time, with serious diminishing returns. Actually, I like some of his tracks, so I'm being a little dishonest here to get my point across - "Buck 80" and "Protect My Family" from his Def Jux album Ravipops were OK, but dude could not hold down a whole album to save his life. I remember bumping The Prelude before that but I barely remember anything about it. Maybe I'll investigate it some time.

Or maybe not, because I dont really like C-Rayz.

Anyway, here's the first C-Rayz Walz track I ever heard. It's good.

C-Rayz Walz - Make It Happen

Also some dude emailed me this, it's not grime but UK hip-hop which I dont really listen to but check it out I guess, its the video to a song called "Council Estate of Mind" and yeah the title sucks but the song isn't bad, that sort of preachy here's-what-goes-down-in-the-projects rap but I like the chorus.

Skinnyman - Council Estate of Mind (Quicktime)
Skinnyman - Council Estate of Mind (Windows)

Monday, April 18, 2005

Newshit that people aren't dancing to yet but should be.

Back with more of that ready rock.

I really dunno why I still get excited about copping new vinyl-- specifically white labels. Whenever I play the shit out, nobody gives a fuck because their listening habits are so Clear Channelized that it's almost impossible for a lowly DJ like myself to "break" a new cut when I DJ. People really don't dance to shit that they've never heard before, even if it's just fucking bananas. That really fucking pisses me off. But, anyway, I've posted these three cuts that aren't big on the radio and so you probably won't be able to play them anywhere but in your headphones because people only like to dance to shit that they know all the fucking words to and have choreographed dances to and shit. Whatever. Peep game and if you have more balls then I do, drop this shit in your sets and force motherfuckers to feel it.

NORE and Peedi Crak produced by Just Blaze "Niggarican": This is on some Reggaeton white label but shit ain't Reggaeton. It's just a straight up, synthed-out Just Blaze banger with NORE and Peedi spitting stupid shit on it. Kind've a niche market record for them half-black half-hispanic folk, but I will say that if I were half-black half-hispanic, this shit would be my anthem. Peedi is basically like "Fuck rapping, I'm just gonna do a bunch of my catch phrase 'riiing riiing' 'peedi peedi' type shit on this shit" but I'll be got damned if the shit don't sound super hot. NORE says "I drink like a sailor and curse like a sixth grader" proving once again that he's an idiotic genius.

Busta produced by Scott Storch "Hurt You": Scott Storch is on fire. Beat is murder. Busta kills this shit, too. This shit should be BIG, but it won't be because Busta isn't mumbling and rapping all slow and wack and predictably clubby. He's just flat out killing it. Shit bumps, though.

Q-tip featuring Busta Rhymes produced by the Neptunes "For the Nasty": I don't really know why I copped this. I like the beat, but I'm so done with Q-Tip. I think I convinced myself that I could do something with the instrumental. I dunno. This shit might be big, but I kinda doubt it. I do like the beat and it might be one of these tracks that winds up growing on people and'll be big in like 6 months, but right now, shit ain't really hitting. I do like the beat, though. Did I mention that?

-e

Vinyl Exchange Radio



Ok so this is the deal, the server that my girlfriend, DJ Stef's site and mine are on took a shit. Fortunately I backed my shit up but Stef didn't so she lost all her shit. I haven't been able to publish shit for days cause blogger fucking sucks, if anyone knows of some better shit that's free and allows you to publish on your own shit hook a brother up. Anyways my friend Miro who hooks up our hosting shit is working on getting the hard drive and trying to salvage what he can off that shit. In the meantime she decided to start a blog and a internet radio/mix show. VE Radio is basically this half hour mix she throws up on the site every Sunday. The last three are mixed by her and all three are still up for download, but in the future she's going to feature some other dj's.

peep the tracklisting for this week's show:

01. "U.S. Interlude" - Pep Love w/ background vocals by Goapele (2001 Hiero Imperium) Prod. by Bicasso
02. "Brand Nu Live" feat. J-Live - DJ Nu-Mark (2004 Sequence Records) Prod. by DJ Nu-Mark
03. "New + Improved" feat. What What - The Herbaliser (1997 Ninja Tune) Prod. by The Herbaliser
04. "Fuck You" (Bomb Hip Hop Compilation)- Homeliss Derilex (1994 Bomb Entertainment/PGA Records) Prod. by G-Luv
05. "U Know Now" (Buckwild Remix) - Show & A.G. (1995 Payday/FFRR) Prod. by Show & A.G.
06. "Gangsta Rap" - Ill Bill (1999 Psycho+Logical Records) Prod. by Necro
07. "Hard Twelve" - Beat Assailant (2004 Twin Fizz Records) Prod. by B.A. and Zash
08. "Want" (Ropeladder 12 test press) - Boom Bip feat. Slug (2001 Mush Records) Prod. by Boom Bip
09. "Where I'm From" (Ohridgnal 12") - Digable Planets (1993 Pendulum Records/Elektra) Prod. by Butterfly
10. "Funky Song" - Low Profile (1990 Priority Records) Prod. by DJ Aladdin
11. "My Bad" - E-A-Ski (2005 Infrared Music Group) Prod. by E-A-Ski and CMT


Also for those that don't know, VinylExchange started as a newsletter here in the bay area. It was mostly for and by dj's with reviews of new records coming out, interviews and shit like that. It started back in '95, as the newsletters popularity grew she started mailing copies out to various spots around the country. The last print version was in December of '97; after that she just took the whole thing online. Vinylexchange has been around for 10 years now and throughout that time has remained strictly about vinyl, regardless of how many idiots send her albums that are not pressed on vinyl at all. Peep that shit cause it's diehard.

vinlyexchange

Sunday, April 17, 2005

bhangra blast 2!!!

I donno if bhangra is cool anymore, shit, "Get Ur Freak On" was what, four years ago? And that Punjabi MC shit has been played out for a long time, right? I'm wondering where the bhangra is at right now on American pop charts, because nothing explicitly South Asian has really taken this country by storm lately that I'm aware of. And Timbaland's decreasing profile certainly isn't helping to keep the flame alive - although Lil Jon’s helping a bit, "Toma" has snatches of bhangra melody laid deep into the booty-bass mix. I've been waiting since spring break to post about this but haven't really had a chance until now, too much other shit to talk about. But when I was home over spring break I headed over to Devon Ave. and picked up some music, found some hot dance tracks that could really burn up those house parties you throw in your mom’s basement on the weekend, the ones where you have to tell your friends to keep it down or the neighbors will snitch. (My moms lives in an apt., I never had parties til college. Consider yourself lucky.) Anyway point is if all you know about popular South-Asian music is “Tunak Tunak Tun” maybe you should check this shit out. I'm no expert, but I know what I like etc.

The Devon Ave. neighborhood in Chicago is predominantly Indian/Pakistani, full of restaurants and travel agencies, luggage shops, currency exchanges and convenience stores. It's all the way up on the northwest side of the city, but I'd recommend checking it out anyway if you're in Chicago because number one, the CDs are - across the board - ten dollars, no matter what store you shop, and the clerks who work at the stores are helpful and can hook you up with tons of recent music. I ended up with 60 dollars worth of CDs in my hands until I realized I had 25 bucks and a bus pass in my wallet. Number two, there is some amazing food and a bunch of different restaurants to investigate (I went to a place called Zam Zam and got the dinner special for around 5 bucks, warm pita and as much as I like Standard India aka the petite buffet on Belmont this is where you can get that spicy fix, especially cool if you're not familiar with Indian food). To get there, you just have to take the red line up to Morse and take the #155 bus from the corner of Morse and Glenwood to Campbell, which is a few blocks west of Western Ave. Western Ave. is on the east side of the Devon neighborhood. There are a bunch of places that sell CDs but I like this joint:



Anyway while I was there I copped a mixtape and an album. The album is RDB's newest one, its called RDB Three. I might talk about that later, but right now I'm just going to talk about this mixtape, DJ Harry's BHANGRA BLAST 2.


DJ Harry

DJ Harry is out of NYC, and he mixes straight-up bhangra beats with some straight up english-language rap tracks. A lot of the straight-up bhangra cuts are pretty spectacular, especially when the dhol beat starts going double-time about halfway through. In a weird way, it makes me think of a miami bass mix, bass-heavy jams with a similar build and release of intensity. This whole mix is put together that way, nice build and climax party shit from start to finish.

My favorite tracks though are the ones with more overt rap interpolations, that gray area in between genres where the sounds warp, the echoes of clashing styles and approaches. I feel the straight bhangra stuff too, but this is in the end a lot more interesting to me; it's hard to tell which direction it will end up going from track to track. The familiar klaxon hook of Usher's "Yeah!" is nabbed for two songs, probably my least-favorite of the hip-hop tracks; the melody is so distinctive by now that it annihilates any embellishments, and the dhol is barely noticeable underneath the Lil Jon laser synth hook. Most of the cuts seem to have a good balance of traditional bhangra sounds and American rap influences.

RDB – Ji Karda
Kicks off with a car horn and some hollering and then a familiar sample, and goddamn it blows up a dancefloor. I sent this shit to my friend to play at a party he threw, and every single motherfucker in the floor had their hands up at the beginning of this shit, total amped-up party rocker. No rapping in English, but its not even necessary. This doesn’t have much bhangra structure, just a straight up NYC breakbeat bounce with some guy singing on top, but it’s a party anthem, straight up.

Hunters – Dil
This has a bit more of a bhangra influence on the production side, but not much. It’s mostly about the vocals, and even then there’s some rapping in English. Nothing serious going on lyrically on the English half, simple party rhymes, which is perfect. One of my least favorite things about RDB’s last album Unstoppable was the prevalence of Crazy Town flows. This sounded a bit more natural, although still pretty derivative of the last couple years of American party rap.

Sukshinder Shinda – Panjabi Clap

Shinda
This track wears its influences on its sleeve like a motherfucker, but it’s really effective. Yeah it’s “Lean Back” + “Make It Clap” but it’s so much more than that too, like that sweeping string sample and the subtle switchups going on in the beat, easily the most traceable to traditional bhangra sounds. Even then, the edges have been blurred so much that it doesn’t sound that out of pace with recent hip-hop shit either. I’m not very good at figuring out when to clap all the time on this one.

My favorite part of this mixtape though is the mixtape as a whole, and these songs are really effective in that context, the way it flows from traditional sounds to straight up rap rips and all these different sounds in between. It’s also great because this is clearly a CD with a functional social purpose, so the development of the music itself seems coincidental. These guys don’t give a shit about making albums they just want to find new ways to make people throw up their hands and do the Panjabi Clap. Not only is it made expressly to be a “NonStop Punjabi Party MixTape With Latest Songs” but it’s meant to be a promotional tool so here’s the deal. If you’re in the NYC area and you want DJ Harry to show up at your birthday party or bar mitvah, give him a call at 718 207 7175, or email him Harry718 at hotmail dot com.

Other ways to check this shit out: DJ Harry’s website IntensiveSounds.com has a gang of shit up, including mp3s of hindi and Punjabi remixes they’ve done. If you want to hear more desi music, check out Generasian Radio, which is on KPFT, the same station that brings you damage control. They are live Thursdays from 3-5 PM and you can listen to their last show at their site. Finally, Woebot wrote the only big piece on desi I know about from the blargosphere, so check that shit out for the UK perspective.


Ain’t nothing but a gangsta paaaarty…I think these are Shinda’s boys.

Thursday, April 14, 2005

Mike Jones



Well that Mike Jones is finally about to drop after months and months of screaming coming soon. April 19th is the date and since I've seen commercials for it I guess I finally have to believe that it's actually going to happen. The album has it's moments but there are a bunch of recycled lines on it that have appeared on undergrounds and mixtapes. As far as guests go he has got Big Moe, Slim Thug, Paul Wall, Lil Bran, CJ Mellow, Killa Kyleon, Bun B, Lil Keke, and Brighteyes on the album. It's a two disc and the second disc is screwed by Michael Watts. The shit is cute but really I'm not that all excited about hearing Mike Jones pushing the same shit he's been doing for the past 3 years, shit only thing that has changed is his phone number, still rapping about how hoes didn't want him, still screaming his name, still on that if you don't grind you don't shine. But this is Mike Jones, it's what I expect from him. There are some dope cuts on the album, it isn't all the same shit you've been hearing for a minute.

Turning Lane

Mike Jones screaming his name and repeating lines like he loves to do. Ending every line yelling "In the turning lane" as he busts lines about grippin that grain in the turning lane while steady muggin. His shit on here is still on that repetitious gimmick shit he has gotten over on but fuck man that beat is dope and dude is just got it going live as hell.

Know What I'm Saying feat Bun B & Lil Keke

This shit has Bun B and Lil Keke on it. The beat has these cutesy little pauses and they got some slowed out voice saying "know what I'm sayin." The way the beat plays allows for each rapper to break off a couple lines before having to pause for the next line. It's got some cutesy electronic bullshit bouncing around, over all it's cute shit for cute times.

Grandma

The most sincere of all the tracks on this album. It's about how much he misses his grandma and how she kept him on the grind. My own grandma is a fucking bitch but I can fuck with this song cause I didn't always think my grandma was a punk. It wasn't until I was 13 and she busted in my room yelling at me to give her back the 20 bucks she just gave me. After that I said fuck that crazy bitch. She never got pissed at my uncle Carlos for putting me in a fucking dumpster when I was 5 years old. Fucking punk, she could have at least put his dumbass in check but no, she thought it was fucking cute. Although she didn't think it was cute when I socked Carlos in the eye 10 years later. Oh and then she use to give my mom shit about my pops because he didn't have a real job, she thought graduate school was a waste of time. Why waste your time working nights and going to school when he could get a job roofing for 20/hr like my uncle Victor. My mom's family is full of punk bitches. Mike Jones' grandma sounds way better than mine.

What Ya Know About feat Paul Wall & Killa Kyleon

Watchu know about know about switchin lane on the wood grain. The song is basically like a "They Don't Know" part two but a little slower and Kyleon dropping some shit on it. I really need more Kyleon shit, dude is dope and more aggressive with his style than most. It's not really all that prevalent on this track, in fact he isn't really that impressive on here but he can dominate a mic. Whatever, fuck this typing shit, just download the motherfucker.

C-Rayz Walz Is A Rap Mentor



C-Rayz Walz has just been picked by MTV to be a 'freestyle mentor' on their hit show, Made. Over the next month C-Rayz Walz will be preparing and guiding an aspiring emcee from Minneapolis through what it takes to be a cold crushing freestyle battle rapper. As he is taken under the wing of C-Rayz, the cameras will document the progression of an unknown emcee with little to no skill all the way to his entrance into a big time battle. Tune in on June 10th to see C-Rayz Walz teach and guide this kid to the top of the freestyling ranks!


I got that from a def jux email and just thought what the fuck. C-Rayz is a cutesy rapper and all but fucking Made? who the fuck hooked that shit up? God I can only imagine how much better this episode will be that that dumbfuck hiphop dance bullshit, that episode was fucking Abbylicious. This idea is about as swift as Angie Martinez learning to rap from a fucking book. I love my mtv.

Wednesday, April 13, 2005

mariah, all is forgiven


Yeah so I hated on Swizz in the past and I still think he's produced his fair share of terrible beats but hidden at the end of Mariah's new album is a pretty track called "Secret Love" with banging drums and a beautiful chorus and plinking pianos and it is pretty much WHOA. Melisma to a minimum, one of the best songs she's ever done, especially when her vocals are double- and quadruple-tracked during the chorus and she breathes "Secret Looooove" in the background. Make this a single. Trust me.

Mariah Carey - Secret Love (Alternate)

PS: Make sure to check Damage Control tonight - it's on RIGHT NOW - Dizzee Rascal will be was on the show. You can stream it online at http://www.kpft.org.

PPS: the mike jones album is nice.

Common interview

His new album sounds pretty good, comfortable and laid back, nothing spectacular but certainly better than the last one. (Its not better than the Beanie Sigel album by any means, though.) Anyway, here's an interview w/Common where he tells us there's gonna be a "Corners" remix with Mos Def and Scarface. Keep an ear out.

Tuesday, April 12, 2005

I put em on as a shocker.



I have no idea what or who or when this is from, but here's a dope song about how badass blue blockers are. Check it out.

Monday, April 11, 2005

Code of the Streets



A lot of the stuff on this "mixtape" is pretty crappy, too many soft beats. Heatmakerz, 9th Wonder, Buckwild, Premier in '97 mode ... some of the shit is straight but there are too many moments when the music doesn't live up to the promise of the bad-ass coverart. That said: you get to hear Vybz Kartel and Elephant Man over classic Cuban Linx beats!!! With Ghostface! It says the track is produced by some dude "Ill Will Fulton" but he just ripped the loop the same way as RZA. This makes up for the ehhh Ghostface + Elephant Man track on that Def Jamaica compilation. Other tracks worth checking out - the ones with Lil Flip and T.I. Lil Flip's still doing gun rhymes but I like this verse anyway, I know heads prefer his candy coat rap style but his voice is still the catchiest shit in rap; and T.I. is in a can-do-no-wrong stage w me right now so: there you go.

Ghostface Killah feat. Vybz Kartel and Elephant Man - Badman

Sunday, April 10, 2005

Mad Lion Sucked


"A lot of Reggae HipHop enters your ear daily. Mad Lion, however, offers an understanding of HipHop and HipHop Culture. Nothing on this album is a remix of already existing material. Everything on this album is done as it is. I, Mad Lion, represent HipHop Reggae not Reggae HipHop. Consider this album one more step in merging Africans worldwide through music." - Mad Lion

How in the fuck was Mad Lion able to sell records? I know he's a Musical Assassin Delivering Lyrical Intelligence Over Nations but really can someone tell me why the fuck anyone was listening to him. He was like Snow and Ini Kamoze combined but with more street cred. The guy wasn't as bad as fucking Shaggy but I think I hated Mad Lion more just because he was suppose to have that hip-hop stamp of approval being down with BDP and all. But shit I had no idea there was such a large difference between HipHop Reggae and Reggae Hiphop, thank god Mad Lion was able to represent for HipHop Reggae so that I was never confused so I guess I at least owe him that.

Um yeah no real point to this post, I just wanted to say Mad Lion sucked because I saw some hiphop video compilation and his ass showed up on it so naturally I thought "who the fuck ever thought he was good enough to remember?" Given I'm not all that big a fan of reggae, I don't hate it but I'm not buying those records so I was never all that excited about dude. Whatever though, Mad Lion sucked and that's a fucking fact.

Saturday, April 09, 2005

I sign my name on the book at your funeral



Well since I don't know nothing about throwing bows I'm going to post about Spencer Bellamy, the dude who made that East Flatbush Project “Tried By Twelve” record that every goddamn motherfucker tried to remix in the late 90’s. Remixing that record was more popular than making shitty mashups on your imac will ever be. BSE over at Can I Bring My Gat made a cutesy post about Bellamy over a month ago so instead of running through his body of work I’ll just be lazy and link to BSE’s post.

I don't remember when exactly was the first time I took notice of East Flatbush but I do remember playing the fuck out of it when I picked up that World Famous Beatjunkies Vol 1 comp. That comp was my shit back in 97, that tracklisting was killing it, fucking Siah, Yeshua, Co-Flow, Natural Resource, Kool Keith, Arsonists, LPSD, Homeliss Derelix, Mr Complex, J-Live, and East Flatbush all in their late 90’s underground hiphop prime. I think I remember z-trip and dj fashen playing Tried By Twelve on Magic 107 in phoenix, which was this "adult urban" station out of Buckeye Arizona. The signal was weak and their playlists mostly consisted of busted as r&b shit but on saturday nights they put it down with Dj Roc's Hip Hop Shop. It use to be a priority for me to get home by midnight so I could record the dj sets every weekend.

I still have some of those old tapes but lost a majority of them moving. Even though Magic107 really only had a couple of hours of hiphop they were the only Phoenix radio station really playing dope shit. Power92 which was all top 40 hiphop would try but they never really put it down for underground shit. Back in the early 90's they use to have a late night show that I recorded a few times but for the most party they stuck to copying LA's top 40 playlists. Around the mid to late 90's Power92 started getting wacker and wacker with their shitty r&b or it was them playing Doin' It ever goddamn five minutes. Shit probably the only good thing about that station was when they started syndicating the baka boys friday night flavas show. At that time Power92 was the only hiphop station in Phx so they didn't have shit to worry about. But then 104.7 started up and when they started it was no commercials just non stop classic hip hop. They were killing it but like most start ups it was just to build a following until they could upgrade the signal and sell the station off. These days 104.7 is party of KISS fm's quality radio family and they play a bunch of corny shit although I think lately they are trying to get back to that hiphop image bullshit that Power92 has. Whatever though, phoenix radio fucking sucks and that's about it.

Back to some shit you people might give a fuck about. Point is that Bellamy is fucking dope and I recently got a hold of some new Spencer Bellamy tracks so I thought it would be wise to post them up so people could hear what he's been up to lately. Raw east coast emcees over beats structered around pianos and drums. Nothing super fancy just gruff raps hitting you in the face with vice grips, what the fuck else you need.

Head To Head 2005 feat Stress & Dox

Pregame feat Stress & Dox

Friday, April 08, 2005

Swing



Cabrini Green is a "notorious" Chicago housing project on the northwest side of the city, onetime home of Curtis Mayfield as well as the setting for the TV show Good Times and the movie Candyman. The only project further north than Cabrini is the Lathrop houses which are an island in the ocean of gentrified post-hipster housing between Roscoe Village and Bucktown along the river. Cabrini Green is a little bit west of the North/Clybourn stop on the red line, not that far northwest of Navy Pier, and the last time i was in the area i saw kids outside jumping on dirty mattresses in the yard. So it goes. In the 80s, there was a period when Cabrini Green had 20,000 residents; now it's been the first to go in the city's plan to "fix" the projects, turning low-income residencies into mixed-income condoes, deconstructing multi-generational communties in an attempt to de-ghettoize through gentrification. There will be a few people who manage to take advantage of the transformation of Cabrini Green into mixed-income housing, but experts are predicting that most of the residents will end up on the south and west sides of the city, out of view of the wealthy core, pushing the poor to the outer ring of the metro or the inner ring suburbs. Real Estate developers don't even call the area "Cabrini Green" any more, so they can sell the condoes on the market. One of the truly amazing aspects of Cabrini Green as it stood prior to this transition was the strength of community. 80% of residents polled by the CHA implied that they wanted to stay in Cabrini Green, although they were extremely unhappy with the living conditions. Mary Schmich of the chicago tribune did a great series on the destruction of the projects last summer; one of her best pieces was this one, particularly its conclusion:

"And what exactly do you do for the elderly man from Cabrini who now lives in the nicest home of his life and says he's never been so lonely?"



Now you know about Cabrini Green. So that dude Bump J is repping Chicago with Kanye and meanwhile there's a cat from Cabrini who calls himself Swing and is doing more for-the-streets shit with a track all over mixtapes, hard-as-fuck raps over a blockbuster post-Dre Storch-style symphony-banger called "Push On Em" with Styles P. The other song I've heard is called "Rotate" and it's about how he gets love no matter what hood he goes to, quoting Jay-Z's murdamurdamurda KILLKILLKILL from "Da Graveyard," and talking about chilling in the 'nolia and hotlanta, Mississippi and LBC, Memphis and back to Chicago. "Push On Em" just premiered on Hot 97 Thurs. night. He has a hungry, raspy flow and spits about how he's gonna fuck dudes up, even if they're swole 6'7" motherfuckers fresh out the pen. "You fuckin' with lords, GD's and Cobras," shout outs to Chicago gangs that control the city's drug trade and bankrolled everything from Crucial Conflict to the "Cha Cha Slide."

Swing was a hustler for a while, discovered music after he was shot and became paralyzed. He eventually recovered his ability to walk although he still has a slight limp. He was on the big regional hit by True Enuff called "On my Mama" ("Even in a drought we can dampen the block, 16 to ya head while you lampin' in the drop, ON MY MAMA!") which is how he made his name. He was supposed to be signed to Bad Boy, but got lost in the label drama circa the Shyne trial. He's now on PlayHarder, signed by the same cats who discovered the Lox which explains why Styles P is on his shit.

Swing feat. Styles P - Push On Em (Alternate)

Swing - Rotate (Alternate)

Chicago hip-hop is always in a weird place, but it's important, I think, when someone comes up rapping who isn't a part of that weird underground jazz-fetishization culture and who is spitting shit from the perspective of street cats, guys who've grown up in these communties only to watch them be destroyed. It is hard to tell what the future holds for Chicago; this could mark an impressive transformation of Chicago's ghettoization, or it could merely signify the consolidation of property, uprooting communities and pulling Chicago's already heavily segregated neighborhoods further apart.

Wednesday, April 06, 2005

ruff sqwad - "anna" video!



Ruff Sqwad - Anna

alternate DL

The bumper video "Down" is great too... Check it out. More videos with crazy lighting effects plz.

It's just these two thangs that got me trippin'...

The pretty song (The Meters "Oh Calcutta") that was sampled by this pretty song (Amerie "One Thing" VIDEO).

Big ups to John Book for the Meters upload and Paul Devro for the Ameria vid.

-e

Tuesday, April 05, 2005

Pianos Are Scurry


"you got ugly on yo face we gon' beat it right off."

Project Pat - Ballers

Project fucking Pat rocking them big diamond rangs on his panky panky and being all about that getty green. I remember the first time I saw the video for "Ballers" and thinking "what the fuck is this shit." Some fat bastard and this girl bouncing all over some shitty beach by some crap lake out in the goddamn country yelling some nonsense about twanky twanky stanky stanky. I couldn't even try to deal with it because at that time I was not fucking with some shit out of North Memphis. I was all about my fucking underground hiphop, listening to fucking Innernational tapes, Living Legends were still exciting, Blackalicious was the fucking jam, and hell I was still rocking Planet Asia's shit. I was all caught up in that real hiphop anti gangsta bullshit. I was not even trying to fuck with the southern music that was coming out at that time. I couldn't stand Ghetto Mafia with their dumb ass video with them all dressed up in stupid blunt costumes. I remember thinking Mos Def was out of his fucking mind for telling Joe Cleezy they were dope. It took me a while to get out of that bullshit real hiphop 4 elements way of thinking but I did and when Layin' Da Smack Down came out I was ready to give Project Pat another chance. By the time the 3rd track was over I realized I'd been sleeping.

Project Pat - Fight

"Fight" was that third track and it is still my favorite Project Pat song ever. It's made for droppin bows on motherfuckers. Fuck they got some dude chanting "FIGHT FIGHT FIGHT" though out his verse like it was some straight lunchtime brawl with the entire school in a circle around a bunch of kids caught up in a firestorm of flying fists without any control, kids getting tagged in the neck by some lopsided swing. Shirts getting ripped as someone falls to the ground and catches a foot to the ribs. Fuck I miss afterschool fights. Anyways, just when you think the chanting couldn't get better Dj Paul starts chanting "I'ma whoop this bitch(Why?) cuz I don't like him." Fuck how could anyone not like the song, the chorus is Dj Paul yelling "we gon' fight up in this bitch." Pat comes in stretching out words as he pleases just to slow down the pace and emphasizes his rhymes just that much more. It's fucking great.

image jacked from murderdawg

Break Da Law 2001

Tuck your chains and guard your grills, Project Pat and the rest of the 3-6 Mafia cats getting real scurry over this dark ass DJ Paul and Juicy J beat. Paul and J bringing more of that dark haunting horror movie shit that they good at. "Breakin laws, glock in drawers, whip it out and take a taste, You can smell my fuckin nuts, while this tone is in yo face," such sweet poetry, I can hear birds tweeting as the sun peaks over the horizon.

Project Pat - Shut Your Mouth Bitch

I was debating on whether or not to post this song or "Weak Niggaz" which has Pat saying cute shit like "uh oh spaggettiO's" and DJ Paul has a verse on it too but I decided to go with "Shut Your Mouth Bitch" not just because the title has that pizazz that touches my heart but I figure verses from DJ Paul, Crunchy Black, Juicy J and Frayser Boy make it a little more special than "Weak Niggaz." Also I felt that because this song was so family oriented it would be a positive experience to share with others.

Lil Whyte - Crash Da Club

Off the bonus cd that came with Layin Da Smack Down, it was the introduction of Lil Whyte. Piano's and atmosphere make for tear da club up music. During the verses the beat is just drums and this drawn out organ that makes it sound like there should be credits playing but instead you got Lil Whyte snatching your chain and reimbursing you with some pain because he was lyrically raised in hell so fuck your whole name.

Monday, April 04, 2005

"Wait" music vid

All Bets Off


Check out that computer imaging technology. FLY!

Well now that the Illini have fallen to the Tar Heels I'll give "killinois" a reason to be proud: the new Juice album All Bets Off is pretty hot. And I'm no big fan of Juice, and I have a pretty love-hate thing with Chicago hip-hop in general, but there are some nice moments on this thing. When I was in the city over break it was a pretty big deal, got a lot of press and attention. In an interview for UR, which is some random Chicago events paper, Juice mentioned how he wanted to start appealing to a wider audience. Well good, I thought, he's in his 30s now its about time. So this is his step away from super-insular world of the underground, MC battles and preaching to the choir; it is an attempt to make some songs (a novel idea) and sometimes it succeeds. There's some Kanye-lite production work here for most of it, which isn't always as bad as it sounds. The only thing I don't like is when he gets all Common on us.

Like, I dig the new Common single, but its another example of what seems like an uninteresting version of Chuck D's "CNN of the Streets." Common raps about life in the ghetto all third-person style, and sometimes it works but on the whole these days it doesn't really engage me any more. I don't feel involved with the stories, and it sounds like my mom warning me when i was ten about the dangers of the city or some shit. At this point, it seems like most of my favorite rappers are a part of the stories they tell, gonzo style, referring to specific places and times and people and experiences, rather than omniscent narrators who often sound like they're narrating to some external audience about generic ghetto number 12. Anyway long story short Juice does that sometimes and its annoying, but when he doesn't there are some really nice results.

Juice feat. Overall - "Power"
"Its like 3:30 in the morning...we're sitting here talking about money and power." This track's all about how Juice realized he wants to make moves and make money, with a smooth funk beat that sounds like a triumphant new approach to music. "Now til my eyes are closed and my casket drops, I swear never again will I rap for props..." Not that dude is compromising, he wants to make hot tracks, make it big, he's still a hot rapper, he just realized that he wants to reach more people. When the elder statesmen of Chicago's old conservative underground guard says you've gotta switch the game up, people should pay attention. At the end: "I'ma say one thing before we get outta here. If you niggaz is rapping for free you niggaz is stupider than a motherfucker. What the fuck are you niggaz rappin' for not to sell records? Get your music up. Hire some fucking musicians. J'll ghostwrite ya whole album for a couple grand. This way we'll have Chicago lookin' hot."

Juice - "What Up"
And here's probably my favorite track on the album. Abrasive and grimey, a crowd roaring for the chorus, shout-outs to every hood in the city, east chicago, southeast side, 69th, 55th, 63rd, 95th, 87th, 26th, California, North side, south side, west side, cabrini green, dearborn, ida b's, Humboldt park, Logan Square, even Sheridan via Howard, Morse and Jarvis. Chicago Heights, Pilsen, Henry Horners, Robert Taylor, North side, south side, west side. Chi-town, chi-town.

Buy it here.

Oschino Mixtape in its entirety...

Re-upped for the last time with the tracklist available right here. Scroll down 'til you see it.

-e

Sunday, April 03, 2005

It's Going Down



More joints I picked up at SXSW, I got both of those CD's and a Whut It Dew shirt the first night of SXSW. When I got the shirt the dude selling it was all apologizing for only having a large, which happens to be what I asked for but I guess he just assumed I was trying to rock a white tee down to my knees. That same night we saw Chops perform. His performance primarily consisted of him playing beats on his keyboard which I thought was cool but I'm not sure how the crowd felt about it. Kids seemed to be standing there looking lost like they weren't sure what to do since he wasn't rapping the whole time and there was no hypeman yelling a bunch of incoherent bullshit. Whatever though, I had a lot of fun at the show drinking cheap ass lonestars.

For this mixtape DJ LT Dan and Chops team up to bring you a some cutesy southern joints. Paul Wall on hosting duties. Gang of people showing up on this such as Bun B, Scarface, Chingo Bling, Lil Jon, Flip, T.I., Baby, Lil Wayne, YoungBloodz, Tosin, Gritboys, Z-Ro, Devin, ODB, Trick Daddy, shit man they even got Matt Sonzala screaming "HOUSTON SO REAL DOT BLOGSPOT DOT COM!" The CD mostly features Texas artists but there are a hand full of others on it too.

I'm still surprised how far removed this stuff is from the shit Chops was doing with the Mountain Brothers. Not that it's a bad thing but hell if 6 years ago you told me Chops would be making beats for Bun B I would have thought you were out of your goddamn mind. Chops brings some heat on this, his remix of Datz Me is dope. He brings in more of that low end with some stretched out synthesized horns that give the song more bump in the trunk. There are also some moments that while Chops' remixes are good they just can't top the original, think every remix of Still Tippin ever. No one is topping that shit.

Chops brings Bun B in on the opening track, Getcha Head Right. They trade verses over some pizzicato strings that ride over some tick ticks and drum kicks. David says it sounds like "Yeah" unplugged and I think I have to agree, it's got those tones. Bun brings what you'd expect from him, the man can really do no wrong. Chops letting you know about how the philly texas connection went down, his pops worked for Texas Instruments. TI-86 LIKE WHAT!

I'm throwing up this ODB track cause it's the fucking jam. Dirty just spitting all over the mic with his head wobbling around like it's going to fall off. Slim and Bun on the track cause no laws can control them. Slim with his slow commanding delivery that rides beat smoothly. But then Bun comes in speeding up his delivery and just tearing through the rest of the song. This track is followed by an E.S.G. freestyle. ESG just throws it down for a quick two minutes over this stuttering beat with some short snakecharmer tones to it spread through out.

Chops Feat. Bun B - Getcha Head Right
Youngbloodz Feat. Young Buck - Datz Me (Chops Remix)
ODB Feat. Slim Thug & Bun B - Down South (Lt. Dan Superblend)
E.S.G. - ESG Interlude/Freestyle

Buy this mixtape here

Friday, April 01, 2005

Freestyle Kings



That banner hangs on top of an old dog house that was mounted on a stand about 10 feet off the ground. The sign was originally for some dog grooming place that failed. Now the entrance to the store is covered in magazine cutouts and posters promoting release dates that don't mean a goddamn thing. I walked into this store in the fall of 1999 and asked the dude behind the counter to order me a Porn Theater Ushers record. Much to my surprise he actually knew where to get it from which blew me away not just because all the shit he sold was southern music and mostly screwed, but because he was probably the first person I'd ever met outside of my underground hiphop friends that had heard of these dudes. Anyways the point is that Dj Bull who owns the store got down with the Freestyle Kings and started releasing there shit on Dirty 3rd Records.


the cover really is that blurry too, fucking quality

While I was at SXSW Catchdubs hooked me up with copy of their CD, I guess he had an extra one or some shit. The CD is actually from 2002 so don't be thinking its some new shit or anything. Anyways the Freestyle Kings are Big Ake, Big Redd, Big Red, Lil Sho, Sir Coop, Tite, and Chalie Boy. I got to see Chalie Boy do it up during Rapid Ric's set at SXSW which was nice. He had Magno throw down some shit also. Mango is also on this CD, featured on this song Iced Out which has this beat made of plastic pianos with a touch of glitch. Pretty much all the production is handled by Salih Williams who is the guy who made the Still Tippin beat. There isn't really any shit on here of that caliber but the CD kind of gives you a glance of where he was at 3 years ago.

Chalie Boy is all over this CD, appearing on almost every single song belting out some shit. Straight 4 swanging, dropping screens, riding twankies, always plexin, big facing, and chrome spinning. Boys can't hold that voice. Shit I don't even really like having people singing on tracks, it's a big reason I can't fuck with Nate Dogg, that shit just seems like a waste to me but soft motherfuckers like David like that modern soul bullshit. Chalie gets into his breakdowns and almost raps so I can deal with it a little better. Also Chalie doesn't really try to get all cute with his pitches like it was some fucking starsearch contest which is probably why I can put up with him better than most rap singers. Whatever though, on with the mp3's.

Down South 2 featuring Tite, Big Hawk, Youngstar, Chalie Boy, & Big Ake
Xylophones sounding like some windchims at your moms house lead into some synthesized horns and that's pretty much it for a beat other than some drums you can't really hear all that well over Big Hawk telling you how they do it downsouth, platinum and the gold, ice in the mouth, blades and candy paint. Down South 2 is a longer version of the opening track of the same name, difference is there are more people rapping.

Mumble featuring Tite, Big Rob, Big Redd, Sir Coop
This is a song about how they want women to mumble while they suck their dicks. I don't think I really have to say much more than that.

What Tha Fuck featuring Big Redd, Big Ake, Lil Sho
"I got an STD not a disease you trick, to me STD stands for Super Tall Dick" And who said rappers were not poets?

Uh Oh featuring Chalie Boy and Tite
A fucking computer learned to play the piccolo. Chalie Boy hollering Uh Oh cause Freestyle Kings is the team dropping screens. Shit I can't even really tell you why I like this song. The rapping isn't going to blow you away although Chalie just comes through flowing on it. The beat doesn't have much to it but fuck I just like this song.

Honestly, I don't think this album is really all that great but it's been in my cd player for over a week and in that time it's grown on me. I'm sure there are people who will think this shit is questionable as hell to post about but fuck those people. If I cared what you thought I would have asked your bitchass.