Slappin the Beezwax Out Of Your Grill

Juelz Santana, Ryu & Celph Titled - "S.C.O.M."
(via artofrhyme)

Oh my fuckiung god, how in the fuck did this stupid ass song come together? Not only did they use this weak ass Guns & Roses sample to further prove that Dipset loves predictable top 40 shitrock but Juelz agreed to rap with two of the most irrelevent rappers in this underground hiphop bullshit. Fucking Celph Titled is on this talking about pulling guns. Apparently sucker punching Cage makes you a thug instead of a shitty rapper trying to get over on Esoteric's weak attempts at being a man. Celph needs to stick to producing instead of trying to shout out Dipset and the Demigodz. This shit is so fucking ridiculous I can't believe it. Then these fuckers went and got Ryu of Styles of Beyond. Of all the rappers out there, fucking Ryu? Who really ever gave a shit about SOB? I thought they disappeared into the abyss that is shitty underground LA hiphop that no one has given a fuck about since 1998. They should have gone for dolo and gotten Planet Asia on this retardfest. Oh and if this song couldn't suck anymore guess who produced this fucking beat? Goddamn Mike Shinoda, yes that shit ass rapper from Linkin Park. This motherfucker makes music for shitbags who think 311 is too serious. Anyone who thinks this song is good is a dumb bastard who should probably get the fuck off this website and get back to their Swollen Members cd.

B.Cause Dude Is Just Dope

well I meantt to post this five days ago but the site took a shit. I will probably have to reup the shit because the yousendit link only has a couple days left but oh well, peep game.

DJ B.Cause is one of the nicest dudes you can ever have the privilage of meeting. Dude hooks up records at groove merchant. He makes dope ass mixes and puts it down with the Dollar Bin Quintet, peep the 4OneFunk crew shit. You can cop their crew's mixtapes on the site. B.Cause's knowledge of records runs deep and dude is sitting on a gang of dope shit. Anyways the point of this post isn't to stroke his jock but to post a mix that he threw up on soulstrut a while back. Check this shit because it rules. His Nickatina remix is so great, fucking pat benatar and motherfucking dre dog. Fuck you shitty ipod mashups this mix is the truth. Check his myspace page for some more remixes. Crap, he has got a fucking Super Hyphy Disco remix on there.

so yeah here is the mix, track listing is below

Big L - MVP (some cut version)
Common - Used To Love Her (213 version)
Nas- If I Ruled The World (drop it like it's hot reprise)
E-40- Hope I Don't go Back (whole damn yay mix)
Los Hermanos Latinos -Las Calenas Remix
The Coup- Taking These (running from love ride)
Andre Nickatina- Coversation Of A Devil (love is a battlefield infraction)
SWV- You're The One For Me (Silkk blend)
Cal Tjader - Cubano Chant (ah one, two grinch mix)
Beatnuts- Confused Rappers
Alice Russell- Taking Hold
Jorge Ben- Oba La Vem Ela (the re-dew)
Masta Ace - The INC Ride remix
Masta Ace Jeep a$$ Ni66a (worse 'em re-edit)
Mac Mall - I Gots 2 Have It (disco inferno version)
Big Gipp- Steppin' Out (uh-huh rmx)
Marvin Gaye/7 Samurai- I Want You gamm re-work
Beyonce- Naughty Girl (why cry re-alignment)
T LA Rock- It's Yours (mic sounds nice blend)
Frontline- What Is It (rebirth of slick rmx)
Federation - Go Dumb (spoonie G revamp)
Junk/J-Live Remix- 99 cent strut
Jill Scott- Golden (lets get blown rmx)
Eddie K/DJ Quest- Bulletproof Is Back (go frisco mix)
Slick Rick- I Shouldn't Have Done It (1, 2 step remix)
Janet Jackson- What Have You Done for Me Lately? (billie jean's re-venge)
991 Volts- Champion Of Love
Devin the Dude- Party
Skyy- We Don't Need No Music/Call Me versus Freedom- Get Up And Dance
Royalcash- Radioactivity
Mac Dre f/ MAc Mall, e-40 - Dredio
outro f/ Pete Jolly

bonus 1998 4 track blend: Globetrotters '98

What Scares Us Is I Think We Hear Violence

This is kind of retarded but I actually feel betrayed by Ice Cube. I know that I don't matter to him and that he can do whatever he wants with his career but I still feel that way. When I was a young boy Ice Cube was everything I wanted a rapper to be. Angry and going hard as fuck on a record. In the early 90's Ice Cube shaped my political beliefs. He legitimizing my opinions. My father told me white people were racists assholes but Ice Cube made me believe it. I had faith that he could do no wrong. I didn't give a fuck that he wasn't really a gangbanger or that he came from a good family. I didn't care that most of his stories were really the Lynch Mobs. To me Ice Cube was the definition of cool. I wished I could grow his fro and own that green impala on triple gold daytons.

I'm posting a some cube tracks not because they are hard to find or anything, especially with them reissuing a lot of this stuff, but the reason I felt like posting these songs is because I like them a lot. They are songs that have a sound that I miss and feature an Ice Cube that I don't think I'll ever get the chance to hear again. Well maybe "You Know How We Do It" but there is probably a more likely chance he'd try doing another Bop Gun before that, that's assuming he doesn't make any more fucking christmas songs.

Ill-Legal with KD and Sir Jinx (CIA EP 1986)
The sound isn't the best because I didn't feel ripping the record, instead I just downloaded it. This shit is pre NWA when Cube, Dre, KD, and Sir Jinx use to pretend they were in RunDMC. This record has been reissued so you can easily get a hold of it if you want.
Nigga You Love To Hate (Amerikkka's most wanted 1990)
Ice Cube over that Bomb Squad production. It was such a departure from that NWA sound that when I first heard the record I didn't know what to think.
Endangered Species ft Chuck D and a really lame guitar solo(kill at will ep 1990)
The opening track on the Kill At Will ep. Cube and Chuck D addressing death of young black males. These two have some of the strongest voices in the rap game.
Wrong Nigga to Fuck With (death certificate 1991)
Fuck r&b and the running man. No softness, no dancing, just macho ass hiphop shit and I fucking love it. Making threats and fronting on people who like to dance is my shit.
When Will They Shoot (the predator 1992)
The way that beat just stomps is my favorite part. Brother J sampled for the hook and then Cube comes in and just kills that shit. This song can do no wrong. When I first heard this I remember thinking how this was the greatest song I'd ever heard in my life.
You Know How We Do It (lethal injection 1993)
The video for this song came out during the summer of 1994. That summer I would wake up, turn on mtv jams and watch this video. I don't know why but for weeks it was always like the first or second video I saw when I woke up. Dumbfuck Bill Bellamy just knew my routine.

I miss Ice Cube and drinking St Ides. It's almost like my friend died but really he just turned into a shitty actor/rapper.

I figure most people who read this already check cocainblunts but peep noz's Low Profile post.

Maddog 20/20 Challenge

Drunk and Focused

That is my friend Patricks new blog, dude is a dj out in the shitty state of New Hampshire. Peep his shit because it's funny. He's got this Maddog 20/20 challenge shit going down where he picks a flavor and posts what he thinks is the appropriate music for that flavor of hobo wine. The first post kicks off with Kiwi Lemon and b-more club shit. Patrick is usually drunk so that explains why he can't figure out how to post fucking links. Although I think it has more to do with him being a dumb bastard.

Lil Keke And Jacka

I grabbed this album a few weeks back mostly because Lil Keke's name was on it. It's suppose to be an album him and Jacka of Mob Figaz, this bay area crew, made together, but it's not. It's really more like a split EP. I'm guessing that Jacka paid Keke to do some shit with him so they could hype it up so Keke sent him some songs he had and they slapped the album together. The songs with keke don't have Jacka or any of the Mob Figaz dudes on them and the same goes for the Jacka songs not having Keke on them. Jacka has some moments but really none of his shit really stands out on this album. Hell Lil Keke doesn't even really bring it on this shit. Overall I think I should have spent my money on something else but whatever. At least there is one decent track on the album, We Made It Out The Bottom, which of course has the southern boys throwin down as opposed to some half ass bay area mob shit. So yeah my opinion is that you're better off downloading this one track and not wasting your time dealing with generic bay area mob shit that sounds like messy marv throw away tracks from five years ago.

We Made It Out The Bottom ft Lil Keke Eightball, Killa Kyleon

Your Flow Is Like Jumping On BART

I first noticed Z-man on the Cues Hiphop Shop comp. He was rapping over this beat Vrse Murphy did with Dj Marz on the cut and it was champ as fuck. It was my favorite track on the compilation. I wish I still had that comp, that shit was dope. Anyways fastforward a couple years and Z-man releases Dope Or Dogfood through Heiro. That album got slept on and now we have a bitter and broke Z-man who decides to take out some of his frustion by rapping over G-Pek's beats. Listen to the hyphens team up.

Crumb Of The Bay
Z-man keeps it real by not selling records or getting paid by promoters and rapping about it.

Young Drunk America
This song supports Jesus by answering that age old question: Where the fuck the henny at? G-pek sprinkling some electronic bubbles over some bumping bass, it's good stuff.

Rippitry ft Eddie K & Trunks
Three rappers with two minutes and twenty-three seconds of rippitry. You'd think it would be longer but this is all the rippitry you get.

The album runs deep with 25 tracks, some are angry songs about girls so if you like to cry you'll enjoy those. The Gingerbread man shows up on this shit too. I'm not all that juiced about the gingerbread man. I get tired of that shit, it's like a little kid trying to act hard. Shit might be cute the first time but that's it. Anyways you should buy this album because rap music needs your support.

You can cop this album at all three Amoebas or get your paypal on and send twelve dollars to gurpcityproductions@yahoo.com If your scared of paypal then you can mail that shit to Thuggy Fresh, peep the link for more info.

King Of The Underground

these might be country rap tunes but this is about as hiphop as it fucking gets. If you want to front on bun well then don't ever bother reading this website ever again because you're a worthless piece of shit.

Bun
What I like about this song is mostly the simplicty in it. Bun by himself, no guest verse, no trendy production, no fancypants chorus, just Bun letting you know that you can't fuck with that as the beat gets cut up, it's as trill as it gets.

If for some dumbass reason you don't know Bun's history then listen to The Story. He breaks down the history of UGK. From their beginnings in PA to getting fucked over by Jive to Pimp getting locked up to the creation of this album.

The Story

On some messageboard somewhere I once compared Bun to MF Doom in that compared to many who came up in their time these two have been able to maintain they skills and stay relevent to their respective scenes. In hiphop where rappers fall off by the 12" it's rare to see someone with such talent constantly coming dope as fuck with it. Fuck Rolling Stone's shitty ass list of whats going to be the big releases this fall. Trill is where shit is at, cop that shit on tuesday because it's worth more than all the other overhyped albums coming out. Hopefully Rap-A-Lot gets their fucking heads out of their asses and actually makes vinyl readily available for this. The list of guests on this album is fucking ridiculous. Everyone submitted some shit out of respect for one the legends that might never get a dumbass hiphop honor chain.

Draped Up Remix ft The Houston All Stars

gang of motherfuckers showin out for this joint so peep game

Draped Up Remix

Trill drops on tuesday.

The used bin fakeout

Ughhhhh they should not even sell used edited CDs. Paul Wall for 7.99!? PSYCHE.

I will not buy this album until I find it for under 12 dollars and thats it. Fuck this 18.99 retail bullshit.

King Of Trill

man hold up, matt hooked it up with the Rapid Ric's latest. Hit up houstonsoreal to download King Of Trill (Buns Greatest Verses). It's another reason that Rapid Ric is making some of the dopest mixtapes in the fucking game. Fuck those retards at Scratch. It's 52 tracks deep get your download on.

Rap in 2005

2005 is shaping up to be pretty lame! I'm an optimist about this shit usually, I can't stand it when people get all "nothing good is happening" but really, I can't get excited about too many rap albums - plenty of mixtapes, plenty of singles. But last year had a bunch of strong full-lengths and 2005 is pretty uneven, based on the shit I've heard so far. Of course I'm not being fair, because I've heard so many more 2004 rap CDs, and I'm sure by the time this year ends and 2006 rolls around I'll have unearthed some gold. But take a look at last year's haul, and I just don't see the same commitment to quality. Anyway I'm tired of writing about shit so here are some lists:

2005 HOTTT SINGLES
1. Three-6 Mafia, 8Ball and MJG, Young Buck - Stay Fly
2. Common, Mos Def and Scarface - The Corner (Remix)
3. 50 Cent feat. Mobb Deep - Outta Control (Remix)
4. T.I. - ASAP
5. Geto Boys - The G Code
6. Z-Ro feat. Paul Wall and Lil Flip - From the South
7. Deep feat. Lenny Lenn and Slim Thug - What Da Fuck
8. Jadakiss - Checkmate
9. Mariah Carey feat. Styles P and Jadakiss - We Belong Together (Remix)
10. AZ - The Come Up (ohhh! Random throwback neo-classic that doesn't really deserve to be this high! But it is great isn't it?! For real, this spot probably belongs to B.G.'s "Where Da At" or that Jody Breeze song with Slim Thug or some Jeezy-related shit. But I like the idea of having some AZ on my list! More in a minute...)

Here's my 2004 top ten albums as of right now.
1. Trick Daddy - Thug Matrimony
2. Madvillain - Madvillainy
3. Z-Ro - Joseph W. McVey
4. Ghostface - Pretty Toney
5. Lil Wayne - The Carter
6. 8Ball and MJG - Living Legends
7. Lil Scrappy/Trillville - BME presents...
8. T.I. - Urban Legend
9. Devin the Dude - To The X-Treme
10. Kanye West - College Dropout

How can this year possibly compare?!

2005:
1. Slim Thug - Already Platinum
2. Beanie Sigel - The B. Coming
3. Three-6 Mafia - Most Known Unknowns
4. Z-Ro - Let the Truth Be Told (This doesn't compare to Joseph W McVey though!)
5. Mike Jones - Who Is Mike Jones?
6. Kanye West - Late Registration
7. AZ - AWOL
The first verse I ever memorized, unless you count some old Kris Kross shit (I MISSED THE BUS - OH) is the same AZ verse everyone's committed to memory from you-know-what album. AZiatic was aite, I never loved it. But after a year of dissing NYC rap music, at least in my mind if not on the internet like a nerd, I needed some lyrically-FOCUSED-man real talk and this was perfect for me. It's not a perfect album but it is a very great one. Of course the aforementioned "The Come Up" is some retro Premier, chopped nostalgia strings and scratched "creepin' on ah come up!" hook, hard but not 808-HARD classic Premo drums, and AZ's detail-oriented rapping, those little images and asides that make me love New York rappers so much and miss them in my rotation. AWOL makes me want to dig out my old Cormega records! "Jails is packed, the streets is wack / its even worse when your workers tappin' your beeper sack/ wifey's gettin' feisty she's beefin' back though it's likely, it might be her VISA's maxed / the coke is up so now the cushion throw's what's up / and the 'ricans got the game in the cobra clutch..." That perfectly detailed written and re-written classic New York style, graphite in notebooks written past the ledger marks, working out details of NY drama in forgotten detached detailed Rakim/G-Rap/Nas/'Mega internal rhymes. The only thing that reminds you it's 2005 and the New York rap world relies entirely on Just Blaze beats: "If you want more then log on to AZ Dot Com."

The best song though is "City of Gods," produced by Disco D who started with ghetto tech and moved to Nina Sky and then the beat for "Ski Mask Way" which was actually made about his fiancee before 50 turned it into the armed robbery highlight of the otherwise-mediocre Massacre. The beat to "City of Gods" knows the secret about AZ's appeal which is the spirit of that 80s/90s NYC mythology. And it is a totally sublime rip of that sound: begins with 80s keys that you expect to slip into "Summer Madness" synths, bass melting into guitar and little hums and cut-off voices and flutes chirping in and out. It's like Kool G Rap's "Fast Life" with Nas or some other track circa 4, 5, 6, the blueprint of the sound of REMEMBERING 1980s rap. AZ:

"Hope niggas respect my dealings, if not
Hope not then I, catch no feelings
When you start hearin niggas left, stressed in buildings
Cold killings, old villains now surfacin'
In yo' vicinities, enemies circlin in sin
Praise I, unfold the untold like De La,
No Soul since 12 summers old stayed high
Weed connoisseur, then rocked designer du'jours
Armanah, my persona was raw
No flaws it's federal fucker the cells is tapped
No calls from a double due, been to hell and back
So know yours, 'cause I could never just sell you raps
This is my life laid on wax..."

And then when D lets the voice congeal into a sustained cry after the last chorus: "We all evolved from the city of gods, give me a nod and I'ma catch me a charge."

"Street Life," the track that follows it is embarrassingly simplistic in comparison, 'sad' strings and wack guest rapping. But the rest of the album has brilliant moments; Raekwon and Ghostface on a track called "New York," the reflective personal and hardly-triumphant "Can't Stop," Bounty Killer on a gritty hook for "Envious," "Bedtime Story" with a faux-Jigga rap that is more interesting than actual Jigga raps in 2005. "Still Alive" is a weird club banger with wild synths and clicks. And "AZ's Chillin" is like "Tipsy" and "Top Billin" and that first track from Daily Operation and it sounds perfect. The beats are good to great, and usually functional, although none are as lovingly constructed as "City of Gods."

"So understand I know from first-hand the lies of a church-man high off his first gram..." (from "The Come Up")

New York rap is so maddening with G-Unit reduced to a hook machine, its Jay-Z void and the Jay-Z comeback is even worse: OK so I was excited when "Drop It Like Its Hot" remix leaked and it's still so so hot but by the time "Dear Summer" came out I had it up to HERE with his annoying self-mythologizing, and forget about the "Go Crazy" remix and the Mariah remix which pales next to Jada and Styles on "We Belong Together." New York is all history, and I think my favorite rappers get under the covers of the history books and revel in that dirty grimey nostalgia, detail-focused crime drama, reliable like an episode of Law & Order: formulaic but fucking well-written, tales ripped from the project headlines. Compare to Jay-Z's non-specific large-scale bragging, his putting self-above-rap and it's no contest. Appropriately enough my final word on AZ comes from Roger Ebert's incredible review of City of God, the film about Brazilian favelas that came out a couple years ago, but it applies to AZ and why I'd rather hear him than Jay when I think of NYC.

"City of God" does not exploit or condescend, does not pump up its stories for contrived effect, does not contain silly and reassuring romantic sidebars, but simply looks, with a passionately knowing eye, at what it knows.

8. Edan - Beauty & The Beat (Psychadelic rock samples? fuck this! Oh wait, he tries to sound like O.C. and it works. Token indie rap album + retroactive props for "Run That Shit.")
9. Young Jeezy - Trap or Die
10. Webbie - Savage Life

I still haven't heard Dangerdoom, Lil Kim, Maceo, Keak Da Sneak, Little Brother (OK, OK I'll bite) Paul Wall, P$C, Trae, Cage, David Banner, and a gang of other shit. Other albums I liked but didn't mention - C-Murder, Boyz N Da Hood, Tru, Missy Elliott, Messy Marv, Game. And Bun, Boosie and Juvie have yet to release anything.

PS: anyone know if Disco D was in last week's ep. of Law and Order? It looked kinda like him.

swishahouse ahoy

Final disc is heavy on recent shit and the absence of the Geto Boys or 5th Ward Boyz or older shit in general is kinda weird but its a strong mix anyway.



Disc 5: Houston / Texas
01 Fat Pat – Tops Drop
02 Big Mike – Havin’ Thangs
03 Scarface – On My Block
04 Botany Boyz ft. Big Pokey and Lil’ Keke – H-Town
05 Devin the Dude – Doobie Ashtray
06 Daz Dillinger ft. ESG and Slim Thug – Ride Wit Me
07 UGK – It’s Supposed to Bubble
08 DJ Screw – Cloverland
09 Big Moe – Purple Stuff (Remix)
10 Lil’ Flip ft. Chamillionaire and Bun B – Platinum Stars
11 Tow Down ft. Slim Thug – North 2 South
12 Magnificent and Killa Kyleon – Magno & Killa Kyleon
13 Chamillionaire and Paul Wall – Don’t Blame Us
14 Z-Ro – I Hate U Bitch
15 Slim Thug ft. T.I. and Bun B – Three Kings
16 Paul Wall ft. Mike Jones – They Don’t Know
17 T2 ft. ESG and Slim Thug – This Is For My… (Pac-Man)
18 Mike Jones ft. Slim Thug and Paul Wall – Still Tippin’

Hell's Winter

I haven't bothered to listen to Cage since he put out that shitty ass Night Hawks album. Movies For The Blind was ok but I was dissappointed by that shit. It could have been a lot better but shit just had too much filler and not enough dope shit. I didn't give a shit about that Weather Proof joint. Someone was telling me to check the Leak Brothers joint but I didn't care about that because Cage isn't the wisest at picking who to collab with. I already saw what happened when he teamed up with the brilliant Smut Peddlers. I didn't trust him to rap because I was pretty sure he wasn't going to come up with another Agent Orange ever again. Not when he was hanging around dumbfucks like copywrite and mr eon. Hell's Winter gets ready to drop and I sure as fuck wasn't going to bother with that shit. That is until the internets started saying it was some cuteness. Then I decided I'd download it just to see why the computers liked it.

Much to my surprise it is actually a good record. The album is more about Cage's personal experience rather than him trying to just be a scary drugged up rapper. As far as beats go this album is more champed out than any of his last couple releases. El-p handles a bulk of the production sometimes teaming up with Camu Tao on the production. Shadow, RJd2, and Blockhead contribute to the production on this also but I think the strangest thing, well for me, is that they got some dude from fucking Yo La Tengo to lay down bass on the opening track, Good Morning. Only reason I even know about Yo La Tengo is because an old roomate use to jam them and I thought that shit sucked. To me it just sounded like a bunch of soft ass indie rock. Well the song is pretty dope but I still think Yo La Tengo is some weak shit.

There are some songs that do suck though, the main one being Scenester. Shit is lame and corny as hell. I don't care about the girlfriends he hates. In fact I don't give two shits about any rapper's girlfriends. I'm not some frustrated 15 year old who can't figure out why girls won't have sex with me so I need to latch on to cage's girl problems. The fucking hook is retarded. I think it would be better if he called it Friendster and dissed people who want to be your e-buddy.

It seems like Cage is living a better life these days which is good for him. I saw him perform out here a while back and dude has lost some weight and grown some fabulous side swept bangs that are all the rage with the hipest of kids. When he came on stage I just stared at the dude wondering who the fuck he was. For a second I was thinking it was like yakballz cousin or some shit. I didn't think it was the new and improved pudgy Cage that use to sit on stage with Copywrite sweating. Sure dude is thinner; that's good for him and all but man he needs to get the fuck off that whitebelt bullshit.

here are some mp3's to peep, I'm throwing up that instrumental too because the beat makes me think of candy canes.

Good Morning produced by El-P
Hells Winter produced by El-p (Hell's Winter Instrumental)
Stripes produced by Blockhead

ATL

Discs 3 & 4: CONTROVERSY

I've got a few issues w some of the tracklists here; I would have chosen a different Pastor Troy song, probably "Vice Versa" or "No Mo Play in GA." I'm not a big fan of that Cee Lo track either, a bit Timbaland by numbers. Definitely would have picked a different Ludacris song, something that sounds a bit more southern. Minor gripes aside, props to Erick for putting this together and letting me post it.


Disc 3: Atlanta / Georgia Pt. 1
01 Big Rube – Alphabet Acrobat
02 Outkast – Player’s Ball
03 Dungeon Family – Trans DF Express
04 Cool Breeze ft. the Dungeon Family – Watch for the Hook
05 Goodie Mob – Cell Therapy
06 Nappy Roots – Hustla
07 Ghetto Mafia – Straight From The Dec (For The Good Times)
08 Field Mob – Sick of Being Lonely
09 Killer Mike ft. Slimm Calhoun – Home of the Brave
10 Big Gipp ft. Slimm Calhoun – Wildout
11 Cee-Lo ft. Timbaland – I’ll Be Around
12 Sleepy Brown ft. Big Rube – Bending Corners
13 Bubba Sparxxx – Like It Or Not
14 Outkast – Benz Or Beamer
15 Bonecrusher ft. Goodie Mob – Hate Ourselves


Disc 4: Atlanta / Georgia Pt. 2
01 Lil’ Jon and the Eastside Boyz – Get Low
02 Stat Quo ft. Nitro and Lil’ Jon – Back On Up (Southern Smoke version)
03 Baby D ft. Pastor Troy – Back Up
04 Petey Pablo – Raise Up
05 I-20 ft. Lil’ Fate, Tity Boi and Chingy – Fighting in the Club
06 Ludacris – Stand Up
07 Pastor Troy ft. Ms. Jade – Are We Cuttin’
08 Jim Crow – Shut Up
09 TI – Rubberband Man
10 Jody Breeze ft. Sean Paul, Trick Daddy and Jazze Pha – AKs and Chevrolets
11 Gucci Mane ft. Mr Will, Young Jeezy and Boo – Icy
12 Young Jeezy ft. Oobie – Thug Ya
13 King Terra ft. Young Jeezy – Doin’ It (Southern Smoke version)
14 Lil’ Scrappy – Be Real
15 Trillville – Get Some Crunk In Your System
16 Youngbloodz ft. Big Boi – 85 (South)
17 Ying Yang Twins ft. Trick Daddy – What’s Happenin’
18 David Banner ft. Pastor Troy and Bonecrusher – Fuck ‘Em