40 Glocc

Definitely one of the most listenable Cali rappers right now, 40 Glocc has this perfect generic 90s gangsta stlye w/ no meta bitchery, no super-self-conscious fake gangsta The Game-style historical awareness, absent the G-Unit branding that would dilute the new West Coast affiliate, just pure ignorant fearless Cali g-shit (but, like, hungry-fearless like '02 50 Cent, not bored-fearless like now 50 Cent, slow-building buzz feeling refreshingly separate from awful 'crack a bottle'/'i get it in' Generic-Unit formula joints) ... produced by J. Dilla????



I can't explain that shit except to say that yeah no matter how annoying the cult of dilla can be the guy was a real artist with an incredibly diverse approach & willingness to experiment with different styles & subsume them in his own vision.

"Finer Thingz" was hot too


I Am Legend Whoo Kid mixtape had some joints -- great beat selection, tracks with jayo felony, a joint spitting over forgotten Mike Jones banger 'my 6-4', knocking Alchemist track with Ras Kass spitting his "Gun butt, uppercut, I'll clip ya chin," it-really-makes-you-think raps, a 'wanna be a baller' flow with tony yayo & spider loc, one of those knocking uptempo Akon's pan-global pop joints, & Glocc's kinda generic flow tying together into one of those classicist west coast gangsta albums with a hardheaded blank slate rapper.

Also its nice to hear some classic conspiracy theorist raps from a dude who might get mainstream burn even if (because?) his Obama h8ing seems pretty out of step with the times.

The Gucci 2008 Top 30 in Imeem playlist format

Cuz our divshare account has been drained of bandwith here is the top 30 in stream-able imeem format:

The 30 Best Gucci Mane tracks of 2008

The thrill is gone from Chicago radio

Ive never really explained the link to Boolumaster's website on our sidebar -- basically dude is one of the biggest & best Chicago DJs & has been spinning everything (rap, house, juke, dancehall, old school, steppin music) in this city for a long-ass time on Power 92. It also gave a uniquely Chicago feel to our 'sound of the streets' rap station. One of the best things about this city is that its always been unapologetic in its embrace of diverse music. House music, dance music, rap & R&B have been played side by side on Power 92 for as long as I can remember, & gospel & rap on WGCI, steppin, quiet storm, old school hip hop & modern soul on V103 ... its a city that is real proud of its musical heritage.

Apparently, some clueless suits recently issued a dictum that Power 92 is no longer going to spin any house music, which is a real disappointing development in my opinion. I'm assuming this is related to some kind of demographic shift but its a huge change for this city & certainly marks some kind of turning point.

Boolumaster has made a farewell house music mix over @ his site called "The Thrill is Gone," which you should download here. I dont give a fuck that this is a rap site. Mix is whats up right now.

Not quite Snoop & D.R.E. ...

but he does say "to ME," & I respect that kind of self awareness. I'm feeling this in the sense that I will play it a few times & no matter how many controversial posts I end up making that first Kurious album is still a classic to me.

Although whenever I start to type his name my brain automatically starts writing "Kurupt" instead.

In other news there's a new rap website called hiphop.com & I wrote a review of last year's E-40 album for it so check that shit out. I should have a B-Real review up there soon too. Just remember I'm only to blame for the scores I give records I review & cannot defend giving N.A.S.A. a better score than E-40.

Shitty Music Of The Week

Holy fucking crap this week we got some fucking unbelievably bad music. Shit I wasn't even sure what I was going to post until the internet blessed me with this piece of shit.


I mean really? Really? This is what you're trying to do? I can't even wrap my brain around the idea that someone would ever think this was a song worth recording? Never mind that You Spin Me Round is a complete shit song that needs to fucking die already, sorry shitbags but that's the fucking truth. Let go of your mediocre 80's bullshit already. But these shitty ideas of using horrible 80's inspired hooks is so fucking stupid(please see Slim Thug's I Ran for further proof). The marginal use of autotune and retarded syth stabs accompanied by that fucking crap ass casio keyboard just takes this worthless cheesedick song over the edge.

This song couldn't even be saved if it was about getting your dick sucked and eating pussy. Instead you get laced with worthless verses with shitty lines stressing the last syllable in an attempt to string this piece of shit song together. Leaving you a worthless barrage of raps about strippers/models after bankrolls while he's trying to be the king of the club flashing his gear in a sea of diarrhea.

Flo-Rida's idea of what white people want to hear must be limited to things that would appeal the characters of The Breakfast club. The fucked up thing is that there are enough stupid people out there to support the idea that this money is worth chasing. This is why Asher Roth has a career, because Drama wants to get that Mickey Avalon money. Motherfuckers making rap music for people who don't even like it in the first place.

But who gives a fuck what I think, I'm sure in Vegas there is some dude in an Affliction t-shirt cumming all over his fucking true religions because a sweaty mall pussy with a fake tan is rubbing her long butt all over his balls when the dishwasher of a dj drops this casino club banger.

Gucci Funk Era

New Gucci mixtape & there are some A+ exclusives on this joint -- also a few tracks that already leaked. A few quick notes on some traxx so u dont think Gucciwatch ends with '08 roundups:

Crush On You prod. by Warren G

---Probably my favorite joint on here so far, Im assuming this id tag is correct & Warren G produced this. It's one of those relaxed Gucci tracks where he's being playful & almost tongue-in-cheek gentle. The beat is like the soundtrack to Home Alone, creeping pizzicato strings & nursery rhyme/nutcracker bells & cats feet hi-hats; the effect is perfect for Gucci's clowning chorus, "Gucci got a crush on you. I ain't trynna put a rush on you!" Per usual a Gucci 4theladiez track is so much more, not feeling corny or like some kind of obligation; its just another chance for him to be funny & lyrical, goofing about how he thinks she thinks hes handsome, borderline faux-naif teenager fantasizing about how he'll sweep his crush off her feet (but with a dose of irony peaking from behind the curtain). "What city we in? don't really matter baby cuz I'm flyin you in." "It's gravy, be my old lady, prada every day baby, no Old Navy."

Fa Sho
---"I blow my nose with money, bitch I keep snot on my knot / i keep that pistol cocked back, and my fork in the pot / my money fallin' out my safe when i open my lock"

Obnoxious
---This has been out a lil while but I love how dude flips hating into an embrace of all his 'bad' qualities -- 'they say i'm obnoxious, but bitches be jocking,' another play off that 'might cant dance but my rims can' self-deprecation.

Get It Big
---this is driving me nuts, what beat is this?

all that OJ shit
I dig OJ but I'm still repeating the first half of the mixtape so I haven't had time for it. Quick 1-listen review: "Benjamin Franklins" and "VVS" and the joint with Bohagan are hot though, Cam'ron remix makes the song feel kinda cheesy, I still dont like the "Bricks" remix & the last two tracks were on the album that came out a couple weeks ago.

B-Real - Smoke-N-Mirrors

This is a pretty uneven affair. Only traxx u should really be checking for:

Smoke-N-Mirrors
Gangsta Music
---Best track on the album. This Soopafly-produced joint knocks & features a good grown man gangsta verse with B-Real's trademark tight-chested flow about coming from the streets and making decisions and real-world consequences, his motivations to leave the streets & his inability to completely leave them behind, repping for folks who feel like they have no other choice "Stuck in this poverty there's gotta be another way out of it / found it in the music in spite of the people who doubted it / couldn't pull away so easy, separation is ugly / how could i pull away, just knowin that the streets still love me / but the love can be so deadly, we ain't talkin romance / sometimes the streets they need a sacrifice, we takin' a chance / it doesn't matter where you're livin, every ghetto the same / the only thing that's different all these people's faces and names / if i pray to god to give me strength to battle the devil / maybe id hit another level so i could hoist up my metal (medal?)"
Don't Ya Dare Laugh
---I don't know what to say about this. I shouldnt like it but what the fuck. Xzibit kills it too. Young De is generic as fukk though, whats up with that?
Everything You Want
Psycho Realm Revolution
Fire
---Real single material with this joint, trading verses with Damian Marley about smoking pot which really what else can u ask for from B-Real
10 steps behind
Stackn Paper
1 Life

The last tracks on the album are kinda ehhhh, like listening to B-Real I want to like this shit but ... its so not-quite-good-enough. Like, a posse cut with Too $hort & Kurupt should feel bigger than "When We're Fucking." Real underwhelming.

Really I just wanted an excuse to post this classic '01 Cypress Hill single:

Cypress Hill - Lowrider
Uploaded by yasrdouble6

I like Greek raps

a friend of mine in h.s. was real into Terror X Crew. I wrote about them once before briefly. The video in that '05 post is down, so here it is again:



in my opinion Terror X Crew are the shit. I said in '05 that their beats have RZA vibes but really its more like some early stoned Cypress Hill except u cant understand what TXC are saying -- tho i do think greek as a language sounds pretty awesome when rapped. I think they are rapping about: stage diving, graf writing, extreme sports, smoking Mediterranean ganj (im projecting) & how nazis are shitty people.

slow jams raps

These new Yung Joc slow jam raps are way better than they have any right to be. Along with this Its A Nitti Beat track & Trai'D's X-Pill, yr talking about a pretty strong series of soft 4theladies material in 09. Gotta say that conceptual gimmickry is a much better direction for Joc to go in, since hes about the least distinctive rapper; even "its going down" was a track that for all intents & purposes should have been forgettable it was so generic but was classic instead (ultimate 'more than the sum of its parts' joint). A genuine singles artist, he can never make his tracks work as a rapper (listen to Jody Breeze outshine him on "Thug Love") but as an artist hes got ... something. Apparently. theres no way a rapper of his caliber should still be around & no doubt hes had enough weak album tracks to warrant ignoring forever & ever ... but here we are. 80s Sade saxophone on "Meet Me at the Bar" is fire, and I cant explain why but if dude makes an album of loverthug traxx im not gonna be that mad at it ... maybe.

It all leaves me very cautious making proclamations about what career moves yung joc should or shouldnt be doing. But for now these tracks are tight & thats whats up.

"I'm a little concerned with my city being the TIGHT JEAN MECCA"

Fake Shore Drive did an interview with somanyshrimp #1 Chicago rapper Vakill which you can read here; dude talks about how ghostwriting helped him buy a house, says his upcoming cd is gonna feature Crooked I (thats whats up) & Grafh and acts diplomatic when discussing 'colorful' Chicago rappers. I hope he gets back with Royce & Ras Kass again too. Best quote: "They say gangstas can't be too lyrical. I say fuck that."

Here are two old-ass posts about Vakill I made back in '05-'06. And if you dont know if his raps are for you I suggest you reflect yet again on whether Mike Heron was right; are dudes with a pen winning?

Condom (w)rappers

Young Ready feat. Max Minelli & C-Loc - 1 Rubber prod. by Mouse

(h/t muzikfene) In the tradition of J-Zone's "trojan war" comes a condom track from Trill ENT. Good to see some new material since a lot of the non-blograp shit seems to get buried in the mountain of ATL trapper traxx, & since Boosieanna 4 there hasn't been too much Trill Ent. material out there. Reasons this joint is hot-as-fuck: 1) "1 rubber in my pocket" is a funny-ass hook, 2) verses from Max Minelli & C-Loc, Lil Boosie associates & members of the Concentration Camp!! Good to see they're still affiliated 3)
I got 1 rubber in my pocket
i will beat it out the socket
the package was very shockin when i whipped it out them boxers
9 times outta 10 she prolly lookin for a profit
all she gon get from me is this one rubber in my pocket
them trojans have ya rollin
them magnums they whats happenin
them lifestyles nahhhhhhhh just use em if i have to

4) Best Mouse beat ever -- the bass just rips thru the stratosphere. Would love to hear this on a huge club system.

I also wanna say: how cool it is that Spice 1 recognizes that Trill Ent is whats hot right now?

Here's some old Concentration Camp w/ C-Loc & Max Minelli

Anyone else think this shit was weird

Man I remember when folks were real mad about HHI (RIP, LOL) giving a negative review to Little Brother's first record. Given it was HHI no one should have been reading that shit anyway but the HII POSSIBLY RACIST DRAMA surrounding it was way more interesting than the hype would have been otherwise (zzz group brings back tribe vibe but with fruity loops beats??) which was good because the album was pretty solid w/ some real stand out joints on it too.

One of the standouts was "Speed" & it had this weird-ass video with 'serious rap heads' LB clowning girls on the bus who happen to like popular R&B. Also, there is a joke where Nelly is called "Smelly." So bizarre. Don't think this video has aged particularly well, song still sounds hot though.

Little brother speed
Uploaded by oublierleracismeskyblog

stat quo - checks and balance

This is a real interesting mixtape for a bunch of reasons, but mostly it's just a different kind of southern rap without being boring. I remember the rap dude at my college radio station pushing Stat Quo back in '03 (he was glad to find someone else bumping "What We Do" at the time) & telling me how big dude was gonna be, even tho his name sucked. but then stat signed to Aftermath (death knell right there). Seems so perfect that here we are six years later bumping an unassuming mixtape riding soulful, no-name productions (looks like a credits list Id read over at fake shore drive -- kidding love u chicago!!) & none of that tinny modern bedroom sound that's ruling the earth right now, with Stat throwing out tributes to Premier & Pac on the same record, Royce & Phonte the only guests. While it's not very 'now' it does feel grounded, very rooted in whats good about Little Brother (seriously) with a guy who has some fresh ideas to add; its obviously a reaction to the 'typical southern rap record,' (an intentional move no doubt), without that being an addressed lyrical subject, just an aesthetic maneuver. Best / Most Notable joints:

"Homage To Premier" feat. Royce Da 5'9 & Phonte Prod. by Focus
To be real, Torae & Skyzoo did a similar joint here worth checking out (2nd verse). But this is hot for Focus' faux Premo beat which does a good job imitating.

I'm a Premier-never-falls-off stan so here u get the full transcription (corrections in the comments its early as fuck & I should be doing something else so ....)

Its the ten rap commandments
Number one just be a ill nigga
You-a lose, try to race this like Hilfiger
I'm so ghetto with the fo-metal
Sho nuff blowin up on challengers like the '84 shuttle
fuck the count, nigga prem like a triple-beam
sicker than sickle-cell a picture listenin to sickle sing [?]
kick in the door wavin the four clad in navy velour wax niggas fast like shavin' below
a gang-star nigga i'm fly i'm a site i was dope before escobar told me what nas is like
when i spit the gasoline see the fire fly
there'll be nothin after Prem, this is me & my homage,
like I rely on rog, i lean on what's happenin
got the hey-hey-hey like dwayne i'm stuck trappin'
i'm goin sick like the song DWYCK,
any nigga feelin' big all you gonn get is a long kiss ....

Right here is where the verses start
dedicated to that classic new york sound
and it really hurts my heart
to see that people cant recognize the works of Martin
how they truly was a work of art
I understand we ain't back in the old days but young'ns be lookin at preem funny
like he one of the O'Jays
no sense of history
see chris martin in the credits they be thinkin its the nigga from coldplay
so i gotta school em and remind these toddlers
that hip hop started in the days of yonder
any fool with an s950 can make beats
but this man took it and redefined a genre
who else can make the group home sound like pros
then make christina aguilera sound like soul
this is my homage and i got ya head bobbin' and noddin'
so we gonna bring the scratch collage in like this...

step in my arena! but make it known friend or foe
recognize i gave you power with this undeniable flow
im invincible, live by the code of the streets
my game plan simple, no surrender no retreat
salute the treal, cuz none of yall better stay disciplined on the front line and together
now
stay tuned for the moment of truth
suckas gotta come clean when stat in the booth
its mostly the voice thats why i got mass appeal
a black cowboy 2-deep me and the steel
say ya prayers mothafucka before you outta here
just to get a rep i end ya career
been a long time comin
blood sweat and tears
i'm royalty, classic like a beat from premier
the public loves it for real
hip hop shit, here today, gone tomorrow, i refuse to quit,
it's stat quo.


"I Just Wanna" prod. by Malaguti
Sweet twinkly soul sample going all O Jays, contrasting with the unembarrassed hollering from Stat & singsong chorus, sounding like a summertime sunny day version of "Playa Hater," Ma$e & Puffy's "Jealous Guys" or the the macking version of "I Hate U Bitch," barely a rap song & more a funny goof-off track, enjoyable for its unabashed trashiness in contrast to the equally regressive but much more musically oppressive kind of shit recorded by some groups i could name over similar beats.

"Immortal Hustle" prod. by Illtone
I like joints like this that do a rock vibe w/out sounding condescending or ironic, like i can imagine dudes throwing up lighters to this joint.

"Lovin' the Sunshine" feat. Tiffany Villarreal prod. by Billy Drease Williams
Dedicated to Pac & its got a smooth, quick uptempo fake Cali groove about sunshine but all restrained like some old G-funk joint recorded off TV to tape, then tape to youtube, 2 minutes long & 3 mins too short. The way he makes his flow hop, catches the rhythm on this so nice like sun glinting off a dirty sidemirror.

Myspace Skit
Stat Quo lectures ppl about letting the internets know when they decide to go to the bathroom. Its pretty funny.

"Pharmacy" prod. by Focus
Feelin the beat on this -- the contrast between the generic soul horns & the encompassing pianos is like a Dr. Dre trick.

It's tricky like trigonometry,
errybody scared talkin bout the economy
it aint where you been dog its where u gonna be
its that crack, they dont sell this at ya pharmacy
i gotta bright future in fronta me
made it out the hood im a fuckin anomaly
get high here's where ya wanna be
take this crack
they dont sell this at ya pharmacy

Top 50 Gucci Mane Songs of 2008

Here's our final list of the Top 50 Gucci Mane Songs of 2008. There's just one last thing I'd like to touch on:

In the climate that the press— especially the music press— is in right now, I'd feel a little out-of-place, if not guilty, telling the people who run rap journalism what they should and should not have covered last year. I have no idea how Dipset is selling magazines in 2009, but apparently they are. People need to eat, and if it means Asher Roth then it means Asher Roth, and I know that's what it comes down to. That said, these are 50 hot songs (and we had to leave some off), yet, if you picked up any magazine last year or read any website, you read, fawningly, about how any number of rappers were gaming the Internet era and releasing x amount of songs or mixtapes in x amount of days or weeks. For the Nah Right Trust Funders, I understand that their proliferation across blogs is straight (self-)marketing, but I wish someone, anyone, would've stopped for a second and criticized these very self-serious artists for their brazen lack of quality control. I didn't know Charles Hamilton in 2007 and I do now, but I don't find that particularly praiseworthy, especially when it came at the expense of his music, which is what we're all supposedly caring about anyway. Even when guys like Freeway jumped on the train last year I felt myself respecting their recognition in needing to meet the web halfway but being let down by the way it felt like those guys were putting in Work. For all intents and purposes, Freeway put in his 9-5 for a month and then pretty much disappeared. Gucci, on the other hand, did not.

50. Gucci Mane - Smoke
49. Gucci Mane - I Hear My Mama Talkin', I Hear My Mama Prayin'
48. Gucci Mane - Fast Break
47. Gucci Mane - Body Language
46. Gucci Mane - Jewelry
45. Gucci Mane - Get High
44. Gucci Mane - H2O
43. Gucci Mane - Yellow Diamonds
42. Gucci Mane feat. OJ Da Juiceman - Mo Money
41. Gucci Mane - Mr. and Mrs. Perfect
40. Gucci Mane - I'm the Shit
39. Big Tuck feat. Gucci Mane - Not a Stain on Me (remix)
38. Gucci Mane - On Deck
37. Gucci Mane - My Plug is an Alien
36. Gucci Mane - I'm Radric Davis
35. Gucci Mane - Pampers
34. Gucci Mane feat. Yo Gotti & Rocko - Lots of Cash
33. OJ Da Juiceman feat. Gucci Mane - Make the Trap Say Aye
32. Big Tuck feat. Q6 & Gucci Mane - Pussy & Patron
31. Rich Boy feat. Jackie O & Gucci Mane - Ms. Pacman
30. Gucci Mane - Freezer
29. Gucci Mane - Grapey
28. Gucci Mane feat. Frenchie - Ghetto Supastar / Sun Valley
27. Gucci Mane - Photo Shoot
26. Gucci Mane - Slumber Party
25. Gucci Mane - Lodi Dodi
24. Gucci Mane - Let's Go To War
23. E-40 feat. Bun-B & Gucci Mane - The Recipe
22. Gucci Mane - I Live in a TV
21. Gucci Mane - Haunted House
20. Gucci Mane - Mr. Perfect
19. Gucci Mane – Feelin’ Myself
18. Gucci Mane – Kill the Parking Lot
17. Remi feat. Gucci Mane - Bubble Up
16. Gucci Mane - I'm A Star
15. Gorilla Zoe ft. Gucci Mane – Georgia
14. Gucci Mane ft. Yung Ralph & Yo Gotti – Bricks
13. Question feat. Gucci Mane - That Boy Bad
12. Gucci Mane - Nickelodeon
11. Gucci Mane - Like a Lambo
10. Gucci Mane - Hot Damn
9. Sino feat. Gucci Mane and Hydro - I'm That Guy
8. Soulja Boy feat. Gucci Mane and Shawty Lo - Gucci Bandana
7. Soulja Boy feat. Gucci Mane - Bands
6. Soulja Boy feat. Gucci Mane and Yo Gotti - Shoppin Spree
5. Gucci Mane & Yo Gotti - Mo Money
4. Gucci Mane - Laughin'
3. Gucci Mane feat. Yo Gotti – Light Show
2. Gucci Mane - Colors
1. Gucci Mane - My Rims Dancin'

Royce da 5'9 - A Part of Me

This is one of the weirdest tracks to do a video for but yeah Royce's new full-length is gonna be tight. He's one of those rappers who really seems to be getting better / more interesting with time. While I love classic Premier joints like Boom, and Royce has always been a monster lyrically, his persona always struck me as (fairly or not) kind of bland, his flow a little too measured & generic to come back to over & over, someone I could respect from a distance, the ultimate koch flagship artist. But with the two bar exam mixtapes from last year, his collab with Black Milk I posted the other day, the stirring passion in his vocals for "Shake This," (a Premier track that isn't aiming to sound like A Premier Track -- compared to say "Hip Hop"'s "Above the Clouds" redux) it really feels like hes hit another stage. Now comes this twilight zone joint with the surprise ending, the chorus that bookends the track & takes on a whole new meaning the second time. It doesn't feel gimmicky just bcuz the story is so weird, dose of that pulpy midwest horrorcore. Not that this is really out of step with his background & older recordings by any means; but it is just exceptional on every level.

Definitely anticipating this record.

Check out Ich Luge Bullets 'The Year in Royce Da 5'9 Tracks' piece from January.

A little bit of promise but so much failure

Ok man so this is the deal I'm going to start a new thing over at somanyshrimp it's going to be a feature called Shitty Music Of The Week. We're going to post something that sucks and talk shit about it. There are a few reasons to do this, 1: because it's fucking funny and 2 because there is a lot of shitty fucking music getting put out there right now. This will not just be limited to songs but also mixes, remixes, dj's whatever. if you make shit that sucks we're gonna shit on it.

Gorilla Zoe - I Like Them Girls

Originally to kick this off I was gonna shit on this Jayceeoh mix I got but then I heard this fucking garbage and decided it was the shittiest thing I'd heard in a fucking minute. I use to have hopes for gorilla zoe, like when that Everybody Know Me dropped and his mixtapes. I thought this dude was gonna be on some shit, putting out bangers every month. He's got a cool voice so it shouldn't have been hard.

Then he dropped his first album and shit just went real bad fast. Doing bullshit songs for the ladies and half ass predictable club songs. I never expect dude to be the hardest but fuck man just say cool shit on a dope beat, how fucking hard is that shit you stupid fuck? I'd find myself giving Zoe chances after being like fuck this dumbass motherfucker and everytime I did I'd just be disappointed in his music. Dude just never measured up to what I wanted to hear from him.

Then yesterday I hear this fucking I Like Them Girls song. Are you fucking kidding me? This shit is the fucking voltron on all of Gorilla Zoe's shittiest qualities. There is no growl in his voice, instead it's been replaced with a bloody vagina soaked yeast infection that some people call autotune. Then he's trying to string his raps along to that bullshit melody like he wants to sing but whatever is left of his testicles just won't let him. I can see the bouncing ball hopping across his bear trap of a cunt.

Then the fucking beat, how fucking stupid do you have to be to fucking pick this garbage. Not all the blame should fall on him because Drumma Boy is at fault for making this fucking cumstained trance rap bullshit. The only place those fucking trance synths belong is so far up your goddamn ass that you vomit glowsticks all over candy raver exploding neon dicks. It's a fucking bukkake of bullshit that will never end.

God that fucking chorus too, ok motherfucker we know you want to be Kate Perry and make the lesbian anthem of 09 but shut the fuck up with this bullshit. I like girls too but I dont waste my time making rave music, I fuck girls. It's a better look shithead. The target audience for this garbage are fucking guidos who want fake tans to make out while their pump their fist to cocaine fuel trance. Fuck this shit, I'm fucking done with this piece of shit. Broke motherfucker is grasping at fucking straws trying to find an audience. Stick with ringtone raps for 12 year olds, that's all you got left bitch. Fuck your rap career bitch, the game don't want you.

Black Milk & Royce - Losing Out video

If Gucci was #1 Royce had to be in top three.

The 30 Best Gucci Mane tracks of 2008 -- 5-1

The 30 Best Gucci Mane Tracks of 2008 -- Intro
The 30 Best Gucci Mane Tracks of 2008 -- 30-26
The 30 Best Gucci Mane Tracks of 2008 -- 25-21
The 30 Best Gucci Mane Tracks of 2008 -- 20-16
The 30 Best Gucci Mane Tracks of 2008 -- 15-11
The 30 Best Gucci Mane Tracks of 2008 -- 10-6

5. Gucci Mane & Yo Gotti - Mo Money

David:
"'Who got mo money?' 'I got mo money,' 'naw!'" Gucci trading verses with OJ was some great chemistry but OJ is too much on some Gucci jr. shit, still establishing himself, very much in Gucci's shadow. Yo Gotti is the only rapper that really balances, with pure Memphis trap swagger and thick rounded flow. They dropped a gang of tracks together this year & bounced off each other so well it's depressing to think the two will never drop a real album together. Listening to them argue about who got more money over this chorus is one of the most intimidating supergroup collabs of the year, a towering beat, Gucci's "stash house funky from them stankin' ass hundreds" while Gotti counts "one, comma zero zero comma zero whew, zero's still goin, my hood still snowin." Definitely check other joints like the string-laced "Julius" but nothing caught the weight of two trap superstars sharing the stage like "Mo Money," Gucci a loose cannon, Gotti the controlled force.

4. Gucci Mane - Laughin'

David:
Gucci's comedic edge is a huge reason he's split from the crowd, all morbid humor & maniacal swagger. Off the classic Gucci Sosa, "Laughin" capture the fractured Gucci humor like nothing else; carnivalesque carousel beat is appropriately loopy & ridiculous for Gucci, who spits like Batman's Joker, a schizophrenic criminal giddy on the pile of cash outta Dark Knight but with the more manic personality of Mark Hamill's performance in the animated series, a disturbed rapper spitting like hes "smellin laughing gas." "Laughin mane! I'm laughin, ha-ha-ha ch-ching I just cashed in," that disturbing fake chuckle in the chorus, & rapping w/ singular self-deprecation, "Funny money, funky junkies ugly as a mu'fucker -- 'summbitch you ugly too!' I know but bet my money cute."

3. Gucci Mane feat. Yo Gotti – Light Show

2. Gucci Mane - Colors

Jordan:
As a lyricist, Gucci’s been improving at a rapid rate since he first hit with "So Icey," and in 2008 there weren’t better examples than on the DJ Speedy produced "Light Show" and "Colors."

The "Light Show" beat is like nothing else Gucci rapped over last year: wah-wah guitar, major piano keys straight out of the scary Mario levels, synths that sound like scalding water hitting the bathtub floor. It’s a beat that’s obsessed with sounds, but the most important thing it does is provide for Gucci ample open space to spookily slur his best verse of the year:

I jumped in the rap game, I didn’t have a name yet
But I had a stupid chain and a fruity bracelet
Blue and yellow Jacob
I’m Gucci Mane the Glacier
Higher than a martian cuz I roll here round a spaceship
Yup, the dawg’s so goddamn purty
Stones same color Michael Jackson after surgery, heard me?
That my watch is gorgeous, all the diamonds flawless
My jewelry box retarded
That’s how you know I’m ballin’
My bracelet humongous, go up to my armpit
Diamond watchers watch us so we turned on the light switch

"Colors" is equally sinister, and it finds Gucci treading on Young Dro’s well-established car-talk territory over swooping, melodramatic strings: "Paint like Play-Doh/ The Alfredo Lambo/ The shrimp scampi Chevy/ and the guts look like egg yolk." But where Young Dro always sounds thrilled to be showing off how he can let words tangle and sentences eat themselves, Gucci raps these (incredible) similes in a sedated, solemn way, like he’s a. incredibly stoned and b. not even remotely impressed by his own work. His demeanor, in a way, is like that of a serial killer: going through the motions maybe, but it’s still murder.

1. Gucci Mane - My Rims Dancin'

David:
"My Rims Dancin'" captures the uncut, hard-as-fuck "Ridin Spinners" vibe like nothing 3-6 has done since that time. It's by miles my most replayed Gucci joint in '08, especially the version that opened up Bigga Rankin's From Zone 6 to Duval, not-so-coincidentally the best Gucci mixtape I heard all last year. (Best sequenced, best selection, most diverse, most comprehensive w/out ditching songs for verses. We actually did some affirmative action on this list so it wasn't dominated by joints Rankin had picked [RIP "On Deck," "Body Language"]).

My Rims Dancin: Rankin drops those reggae air horns, gun shots & sirens, restarts the track & repeats the raw unapologetic opening line, emphasizing the stabbing cyclical "Like Whoa" strings & thumping triplet bassline, Gucci dropping that "I might be ugly but my car handsome, I might can't dance but my rims can!!" sideways-grinning self-awareness, combined with that dont-give-a-fuck menacing ruggedness, combined with his 50 Cent-like ear for a perfect hook. But he's not just ridin spinners, cuz its Gucci; all unique imagery, his rims dance like go-go dancers, one forward & one backward, it might be hood but its still foreign, "place ya hand down there & chop ya damn hands off!!!"

Yo for real if you dont think this is Gucci track of the year I dont give a fuck. Download this shit & figure it out for yourself, he only released a million joints this year:

Best Gucci Mixtapes '08
1. Bigga Rankin - Zone 6 to Duval
2. DJ Scream - Gucci Sosa
3. DJ Ace - Mr. Perfect
4. DJ Drama - Gangsta Grillz: The Movie
5. Any of the Wilt Chamberlain joints, esp. the first three.

i can werk wit that

The 30 Best Gucci Mane tracks of 2008 -- 10-6

The 30 Best Gucci Mane Tracks of 2008 -- Intro
The 30 Best Gucci Mane Tracks of 2008 -- 30-26
The 30 Best Gucci Mane Tracks of 2008 -- 25-21
The 30 Best Gucci Mane Tracks of 2008 -- 20-16
The 30 Best Gucci Mane Tracks of 2008 -- 15-11

10. Gucci Mane - Hot Damn

David:
When i was a kid we used to take trips to 'the country' where my aunt lived; my older cousins once bet me I wouldnt grab onto the electric fence designed to keep the cows from hitting the road; I grabbed on, not feeling anything, & then got jolted by the charge, which felt like this guitar's low dull buzz; we also chilled on the paint chip-flecked porch, chewing on grass, sun in our eyes, finding garden snakes (same cousins killed one by leaving it draped on that fence). No sympathy, but this beat is a symphony. This song is about all that. Another Speedy track, a rap music outhouse, with all the backwoods stilted funkyness of "I Move Chickens," plus buzzing fly FX, buzzing guitar and a buzzing vocal sample that morphs into "Goooooottttdamn! SHIIeeeIIIeeeIIT!" Gucci's flow fits this kinda straight-up dirt-road-dusty country beat so perfectly its uncanny. Gucci mane in the party, whoa-oh kemosabe.

9. Sino feat. Gucci Mane and Hydro - I'm That Guy

David:
One of the hardest tracks out, this joint knocks like a motherfucker. At this point u should be used to Gucci, feeling the flow; when u hear a competent verse open the track, it's practically impossible not to anticipate Gucci's distinctive stubbornness, that congested vocal. Then the second chorus hits & Gucci's "YeaaaAAAHHHHHHHhhhhh" rides the back like a cosine wave (who thinks that rumor about Jeezy getting his adlibs from Gucci is true?? definitely believable). Then his verse: "I'm so brand new, girl that's so true! I'm really feelin Cinderella just has lost her shoe" (maybe?? post corrections in the comments). It's hard to say Gucci's flow is 'lazy' -- anyone ever digging jazz knows the diff between swing & dragging. This track is all adrenaline but Gucci retains his slurred style thruout without sounding boring for a moment.

8. Soulja Boy feat. Gucci Mane and Shawty Lo - Gucci Bandana

7. Soulja Boy feat. Gucci Mane - Bands

6. Soulja Boy feat. Gucci Mane and Yo Gotti - Shoppin Spree

Jordan:
Gucci briefly inhabiting Soulja Boy’s universe was the best thing that happened to either in 2008. On "Bands" Gucci manhandles Soulja Boy’s hooky keyboard beat, using its stutter as a guide to play Lincoln Logs with syllables: "You’re a funny bunny junkie/ funky from my homie, homie/ I got so much jewelry on me/ I be even hating on me"; "I’m from another planet, dammit/ two clips in my Pelle jacket" etc. "Gucci Bandana," with its spare elastic bounce, finds Gucci at his silliest, which is never not welcome: "Pull up to the hood/ stop and let them jock Gucci/ Broads jock Gucci cuz Gucci just Gucci."

And while those two provided for Gucci a new look outside of his chosen production style of 08— the tinny monoliths of Zaytoven and Drumma Boy— it was "Shopping Spree" that clocked in as my favorite Gucci track of 08. The Mr. Hanky beat one ups both producers on their home court, and after a startlingly nasty first verse from Soulja Boy, Gucci immediately breaks the backboard: "From my Cutlass to a Chevy/ Chevy to a Lamborghini/ You can’t be me or see me unless you see me on TV/ Shiny and greasy I wonder if Stevie Wonder could see me/ necklace a jungle of Veev-es check my selection of pieces." And though that line reads incredibly, it sounds so much better to hear Gucci’s flow flipped up and down the beat. Also, don’t underestimate what being the first major rapper to work with rap’s most maligned artist says about Gucci or his work ethic.

take a break to anticipate summer

The 30 Best Gucci Mane tracks of 2008 -- 15-11

The 30 Best Gucci Mane Tracks of 2008 -- Intro
The 30 Best Gucci Mane Tracks of 2008 -- 30-26
The 30 Best Gucci Mane Tracks of 2008 -- 25-21
The 30 Best Gucci Mane Tracks of 2008 -- 20-16

15. Gorilla Zoe ft. Gucci Mane – Georgia

14. Gucci Mane ft. Yung Ralph & Yo Gotti – Bricks

Jordan:
Where Field Mob and Ludacris used the Ray Charles sample as a tribute to their projects, Gucci and Zoe use it as you might expect: to up the drama as they rap about moving weight across their home state. Amongst Drumma Boy’s typically suffocating production it’s hard to tell exactly what’s being rapped, which is alright because it’s Gucci’s urgent chorus —"250 BRICKS THEY ON THEY WAY TO GEORGIA/ AND I’MA SELL THEM SHITS IN EAST ATLANTA, GEORGIA"— that elevates the song above your once-an-hour trap anthem. It's also what makes Gucci and Zoe’s "Georgia" is as much about hometown reverence and pride as Field Mob’s lament.

And yeah, we all know it’s tough to say that a dude who is rapping about flipping coke is doing so with an extreme love and care for his city, but it’s impossible not to get that sense when listening to Gucci forcefully deliver this hook. The last line of the chorus, and the song, finds Gucci in prayer: "Lord please let this yay get back to Georgia." Maybe that can be read as, "Lord please let this yay get back to Georgia where I will sell it and reap the benefits" but to me it’s sounds like an extension of what Jeezy so convincingly sold to us on The Recession. It’s hard times and Gucci wants to give back best he knows how.

"Bricks" hits its mark, too, and not for a different reason. At the surface it seems like trap-hop pro forma — smeared organ beat courtesy of mixtape MVP Zaytoven, Gucci saying “bricks” a lot— but on his verse (the first) Gucci drops one of his most sideways brilliant couplets: "My watch a cool hundred, paint job a cold twenty/ and after this flip I’m quittin’ the trap cold turkey/… syyyke." Besides owning the non-rhyme of "twenty" and "turkey," Borat couldn’t have hit the punchline any better. But really, like "Georgia," "Bricks" is elevated by its chorus, which is not surprising considering how good Gucci is at making sure his songs have that indelible hook. Back to the Traphouse was rife with them: "Shorty asked me what time it is/ I said it’s fifteen minutes past the diamond, bitch"; "I got the bird flu shorty, sellin’ birds my business/ Catch that bird flu shorty, it’s a terrible sickness"; "Is you rolling?/ Bitch, I might be."

Gucci’s way with choruses is another parallel he has with sworn enemy Jeezy. But where Jeezy aims for simplicity to achieve pop success — "When they hear that new Jeezy, all the dope boys go crazy" — Gucci, as on “Bricks” or on album track "I Move Chickens," often packs a bunch of words into his hooks, almost bonus verses. These choruses are what anchor Gucci’s tracks across hundreds of mixtapes, zshares and YouTubes, and they are what make a Gucci song a Gucci song, even as he shuffles flows and production styles and collaborators. "Georgia" and "Bricks" are two of his best, but they’re really just a drop in the Pyrex.

13. Question feat. Gucci Mane - That Boy Bad

David:
That this kind of track can just float along entirely under the radar is bizarre. The beat is kinda nuts, jumping from grinding bass + wind-tunnel whooshing to celebratory horns & distorted keyboard rolls, the sung 'lalalaaa lalalaaaa' during the hook and David Banner-style vocal punches during the verses. Question is a rapper who is good but too clever by half ("my cd come with popcorn / my album like a movie"), not bad but a little too '04-era Kanye 'clever,' but Gucci's verse is classic -- "Gucci pull up, shawty go and tell everbody / Mazerati stankin' like a god damn dead body," "Money stackin up the point that i cant count it / i need a new accountant, lost my mind and still ain't found it." That says it all really.

12. Gucci Mane - Nickelodeon

Jordan:
Everyone mining half-assed Wayne leaks for a fascinating look into the mind of a perpetually weeded rapper slept on "Nickelodeon," wherein a certainly-blazed Gucci and his shredded throat construct a monument to morning TV out of hilarious cartoon references over a Transformer of a Shawty Redd beat. Though nonsensical, "Nickelodeon" coalesces into an amusing whole — think Helga’s chewing gum bust of Arnold’s football head. Of course, it’s not that juvenile: "I still got it like that nigga with the weed kush/ Short temper throw a punch like I’m Heathcliff." Then again, maybe it is: "I’m not Richie Rich, bitch/ But I’m rich as fuck." Either way “Nickelodeon” was easily 08’s most schizophrenic song about trapping, where dead serious threats about deading you include the cutting insult, "I go hard/ Spongebob/ Nigga, you a lame" and a really intimidating one warns, "See I’m a Junkyard Dog not a Scooby Doo."

11. Gucci Mane - Like a Lambo

David:
I'm not really sure what to make of this other than dude kinda sounds like an asshole, but regardless, if he did this beat & got Gucci on it, hes at least done some good in this world (actually gotta give dap for bringing that classic big gipp single "Steppin Out"!!). It's real good to hear Gucci spit over something so blatantly melodic, such a mercenary-style pop track, after entire mixtapes of trebly trap house rap tracks. Track is propulsive, with a cool skipping snare -- by the way DJ Speedy cannot rap so dont bother with the non-mixtape version, which also inexplicably drops the 2nd Gucci verse. "If u leave your plan A I can be ya plan B."

Beer And Rap Podcast #2!!

Jyeah bitches! here is the second podcast so rock that shit. More recent stuff on this one, well as far as things within the last ten years go anyways. This one isn't as long as the first one, about an hours worth but whatever check it out.

to subscribe to the podcast just use this url for the feed: http://beerandrap.com/atom.xml If you're not to smart just go in to itunes and under Advanced you have the option to subscribe to podcasts. Select that and add the feed url so that it will update on it's own.

direct download link here

tracklisting in the comments

The 30 Best Gucci Mane tracks of 2008 -- 20-16

The 30 Best Gucci Mane Tracks of 2008 -- Intro
The 30 Best Gucci Mane Tracks of 2008 -- 30-26
The 30 Best Gucci Mane Tracks of 2008 -- 25-21


20. Gucci Mane - Mr. Perfect

David:
The minor-key flip of Zaytoven's "Grapey" beat uses that same vocal "OHH!" sample but with those queasy strings he digs so much. "i'm higher than a eagle on ether, higher than a falcon on california reefer." A few quotables on here ('mansion so big kids playin wheres waldo' etc) but im not bothering with some defensive argument about this (altho it is a noteworthy Zaytoven beat). lyrically its just Gucci clowning around, especially on the chorus -- "flow so awful, EULGH! i'm barfin, ACHEUGH, I'm coughin, swish!! im ballin', pisssssss, I'm pissin,' PLUCHHH, I'm shittin', ha-chew sneezin, [inhale]STILL BREATHIN!"

19. Gucci Mane – Feelin’ Myself

Jordan:
Gucci’s an incredible chorus writer, flat-out. The one on "Feelin’ Myself" is almost a schoolyard taunt: "I don’t think you feel me like I’m feelin’ myself/ You suckas hatin’ on Gucci, man that’s bad for your health/ Jewelry, cars, clothes, women and wealth/ So you hatin’ on the kid it’s like you hatin’ on yourself." Besides being funny, it flips the conceit of your typical song about haters by eschewing obvious chest-thumping because the first line one-ups our bragging expectations. This, in the era where dick-measuring amounts to comparing car titles on YouTube, is pretty singular, just like when Wayne decided to prove to everyone that he was the best rapper alive by releasing an uncountable number of songs. So no, I don’t find it coincidental that Gucci dropped 355 mixtapes this year.

18. Gucci Mane – Kill the Parking Lot

Jordan:
"Kill the Parking Lot" sounds like a lost beat off of that G-Side album in the way it incorporates emotive trance synths but grounds them with classic Southern marching band horns. It’s also got this cooing vocal sample and weird pitter pat drums, and the whole thing is really 'spacious' but not empty — just like those great Block Beataz beats — as if this trance soundscape has replaced the sky. This adds weight and drama to what could’ve been a rote car song, and Gucci answers back, rapping straight-faced and forcefully, confident as a motherfucker that his car is flyer than yours.

17. Remi feat. Gucci Mane - Bubble Up

David:
"I bought a scaaaale at the tender age of tweeeelve." Classic "Ghetto D"-type crack cooking track; Gucci's confident rasp is solid as usual but the reason this is such a highlight is because of Fatboi, one of Gucci's most underrated collaborators; conceptually, the beatmaker it reminds me of the most is a guy like KLC, who did these programmatic joints like "Souljas on my Feet" (incorporates stomping into the beat with some minor-key piano noir) or "U Hear Dat" (an entire track made of gun noises, both the drums and efx) for soulja slim. On "Bubble Up" the synths ping-pong up and down, bubbling in the musical crack pot. The comparison to KLC also makes sense because his beats always seem to have this extra degree of musicality/craft to them -- less of that rugged & raw shawty redd / zaytoven (in KLC's case, Mo B. Dick) low-budget sound, but when its a rap about crack cooking you dont really need it; shit is rugged enough.

16. Gucci Mane - I'm A Star

David:
IM A STAR -- IM LOOKIN LIKE A STAR, EVERYTHING IS UP TO PAWWWWR, COME LOOK AT MY CAWWWWR
Another classic Gucci chorus (shit will be stuck in your head forever) but this song is mostly notable for the verses, rapid-fire even-eighths spitting that spins out so fast that it becomes an intoxicated blur, Gucci slurring vowel syllables & swallowing consonants, a giddy tornado of forceful 'lazy' rapping; enunciation is for ppl without the swagger to be stars themselves.

A quick note about the Gucci list

I know a lot of folks are wary about this kind of hyping in the post-Breihanic era. The "Pitbull is better than Nas" discussion really did damage to folks who want to discuss rap music w/out sticking to boring party line on 'classic records' & who like to express, you know, excitement about shit w/out making sure its 'safe' to do so. I'm not blaming Tom any more than im blaming the folks who would take to his comments boxes shit talking about hipsters instead of acknowledging that Nas' output for the last few years has been spotty at best but more significantly, incredibly uninteresting to talk about. My point in bringing this shit up again is to say that I understand this sense of caution when bloggers start using big words to big up a rapper who hasnt really been cosigned by 'the right people' yet.

This comment was left on one of the posts:

ghengis blond said...

this comes across as an ugly rationalization of humble pretense. it sounds like you're playing make believe and magicking up some genius in this guy's style where you're perfectly aware it doesn't exist.

then again, i've never been much of a mind reader and i'm grateful for the list. hi ho, miller

I'm not sure whats 'ugly' about it. if our tone seems to be building up this guy as some kind of 'fractured genius,' the way shit happened to ODB, to Kool Keith, to Cam'ron, to Lil Wayne, it's not intentional; its certainly less about my reaction to the music & more about the absence of any discussion taking his music seriously at all, which seems at odds w/ his level of creativity, his prolific nature & his status 'in the real world.'

ive heard plenty of ppl say hes their favorite rapper out right now. he is mine. but i was addicted to his music before i ever had to come up with reasons to explain why i was addicted; this is an attempt to verbalize what was a somewhat subconscious acknowledgment of a legit creative force in rap music.

If folks are talking about my bit on his repetition+building style on 'photo shoot,' i think i can see why someone wd think im trying to excessively push dude when really what hes doing is as simple as any musical gimmick. But what doesnt seem particularly special when described on paper becomes a lot more enjoyable once youve become invested in his entire persona/aesthetic. The same could be said of his adlibs. saying 'burr' isnt 'amazing genius!'-type shit on its own, but the argument im trying to make is that hes a multi-dimensional artist, & that these little things are why hes more than the sum of his parts. I dont mean that 'camera flash, camera flash i see your ass' is a reason to start paying attention by itself; its more like yet another reason to like him when yr already 'there.' Hopefully after the list is finished, more of u will be 'there.'

The last thing i want to do is seem hyperbolic in describing his creative approach. but fact is, i believe he has authorial control over his rapping style & its not about him being 'dumb.' And again the last thing i want is dude to become yet another victim of the corny 'fractured genius!' label that got thrown like a iced out albatross on the necks of kool keith & lil wayne.

Id just like to be having any serious discussion at all.

The 30 Best Gucci Mane tracks of 2008 -- 25-21

The 30 Best Gucci Mane Tracks of 2008 -- Intro
The 30 Best Gucci Mane Tracks of 2008 -- 30-26

25. Gucci Mane - Lodi Dodi

David:
Flipping a classic hook into a smooth yet raspy club chorus & a verse of nonstop quotables: "Gucci you trippin' you know you ain't sexy / all this ice call me Gucci Mane Gretzky / Alligator seats, TVs and head rest-s, watch named asthma, leave a bitch breathless."

24. Gucci Mane - Let's Go To War

David:
Gucci can do pun-joke-y bullshit as well as anybody, but I've been pushing Gucci's breadth as an artist right? And I don't mean he's doing rap album madlibs, trying to fill up the basic LP formula (song for the ladies ... song with autotune ... Miami/Runners joint with Khaled collaborators ... oh shit im talking about 'carter iii'). Gucci actually switches up his rap style, his flow, his lyrical approach, depending on the content. "Let's Go To War," like the title suggests, is Gucci's "Warning." No smirking flow, no comical puns, only adlibs are echoed lyrics for emphasis with no gimmicks, & lyrically its just straight no-bullshit threats, delivered in a slow & steady cadence (no drunken Gucci slurring) to ensure there are no misunderstandings. "Comin' off the hip, I am ready to rip / rapid blood loss so he's starting to drift, light shining bright and he ready to dip." Beat is all that Mr. Perfect mixtape twilight atmosphere. & Gucci's molasses flow here, delivered in simple descending sing-song forces you to focus on the visceral, eliminating any cartoonish studio G vibes u might get from 2009 gangsta shit. "Beatcha with a pistol try to tear off your arm, chest shot close make u cough up a lung."

23. E-40 feat. Bun-B & Gucci Mane - The Recipe

Jordan:
"The Recipe" was probably Gucci's highest profile collaboration last year, as well as a perfect example of his ability to steal the spotlight. To be fair, he gets help from E-40 and Bun, who both sound corny going through the motions here, but their out-of-touch verses only amplify Gucci's vitality. "Recipe" also shows Gucci twisting language and molding words and rhymes to stylishly make his point. This verse starts off with a show-stopper: "Chef of the year, better yet the fuckin’ century/ Dread head killers with me, four deep in my Bent-uh-ly." Next he uses one of his favorite ad-libs— "Scrrr!"— as a segue into a commanding two bars: "Scrrr! I’m in the kitchen scraping up the pottery/ Workin’ with my hands like the maestro at the symphony/ Sniff! I’m cocaina, shawty take a whiff of me/ Sniff-alufagus so nigga come and cop a E from me." The verse kind of treads water at the end, but it's enough that Gucci wrecked two verses from living legends in a little over ten seconds.

22. Gucci Mane - I Live in a TV

21. Gucci Mane - Haunted House

Jordan:
"Scarface Gucci!/ My life’s a motion picture/ Gucci Tarantino, Casino/ Gucci Pacino." "I Live in a TV" bounces along with lyrics powered by familiar movie references, but like on the cartoon monument "Nickelodeon," Gucci breathes life into a tired idea by simply being cooler — and, knowingly, sillier — than everyone else: "Call me Gucci Rocket/ Save me, freeze me, watch me/ TiVo!/ Your album came out, rated it/ What’s my response? I hated it!" Where Joe Budden and his ilk have eked out careers trying to out-nerd each other’s pop culture references, Gucci's sense of style exists merely on another world, his own TV.

"Haunted House" is an atypical Gucci track; his voice is raspy and tattered and almost unrecognizable, like immediately after you wake up after drinking way too much. It also gives the track an added griminess, like on “Nickelodeon," but over the "Haunted House" beat it has an almost campy horror. "Haunted House" is the most cinematically theatrical song Gucci made this year, just for the chorus alone. Backed by piercing and arching strings, Gucci's "Bout to turn a nigga house to a haunted house" sets a rugged, visceral tone. To up the drama, as the strings reach higher and higher, his ghostly croak gets double tracked — it’s subtle but really effective. For the verses, the beat switches into this distorted clipped guitar sound, eery violin swells punctuating Gucci's rhymes to, you know, signify that Gucci is currently creeping down your hallway. It should be a ridiculous stunt, but instead it hits all cylinders — a mixtape song with a concept that ends up being way more than the sum of its parts.

so blown away

this new Curren$y joint @ Traps N Trunks is the shit -- trance rap is not over folks!! haha. I like that it doesnt really feel like a 'trend,' like its too below the radar to qualify, & the style has too many diverse artists from different scenes ... its just a new sample/production style. its like arguing that mannie fresh using bounce music is a 'trend'. I know taking trance 'seriously' is ppl's main objection to this shit but isn't that what sampling was always about?

Also really enjoying Curren$y's 'mythblazers' series:


Dont worry Gucci fans 25-21 will be posted shortly --

The 30 Best Gucci Mane tracks of 2008 -- 30-26

The 30 Best Gucci Mane Tracks of 2008 -- Intro
30. Gucci Mane - Freezer

29. Gucci Mane - Grapey

Jordan:
Gucci made the most great rap songs in 2008, but his mixtapes were also scattered with tons of one-off verses that featured a few of his best moments. “Freezer” and “Grapey”, both off the second Wilt Chamberlain tape, are unassuming minute-long things, and though they don’t nearly touch the heights of his best songs, they represent just how deep Gucci’s genius ran this year (I’d be surprised if he remembered recording either of these verses). “Freezer”, at first glance, is easily passed by, but it exemplifies how Gucci has perfected his trademark laid-back flow — the beat is momentous and chugging, yet Gucci raps (well) like he's sitting on his couch. The best moment for me comes early, and it’s when Gucci connects “glacier” and “they should”. The word and the phrase obviously don’t rhyme, but Gucci’s slur melts both into an almost identical word, and it makes the pivot between the two words a rewind moment. At the end of the song he gets in the best line: “I’ma make a promise, man/ never tuck my necklace in/ I wouldn’t give a damn, you was 500 and 7’ 6’’”. In between, Gucci bounces across the beat, creating a blissful dissonance — I have no complaints.

“Grapey” is something totally different, and though it’s mostly notable for Zaytoven’s next-universe beat, it finds Gucci falling back on a quasi-melodic flow. But first the beat: it’s maybe the most colorful Southern production I heard all year, just Jim Jonsin arcade bleeps and The-Dream’s exhaling drums, but there’s also what sounds to me like a sample of that Nelly and Kelly Rowland song (a sound Zaytoven also used on "Mr. Perfect" to different effect). It’s probably the only thing Gucci’s ever rapped on that I would describe as “airy”, and he basically harmonizes with the track, rapping about being rich over this beat that makes it sound like a playful love song.

28. Gucci Mane feat. Frenchie - Ghetto Supastar / Sun Valley

David:
Gucci Mane's Mr. Perfect mixtape was one of the best he dropped this year; the beats were pretty diverse, especially considering zaytoven's (sometimes deserved) rep for dropping rehash beats. Gucci also spit in a more varied style than yr image of the 'typical gucci' track. "Ghetto Supastar" (retitled "Sun Valley" when the video leaked) has a weirdly tense beat & when combined with Frenchie's raspy chorus it creates a really unsettling feel. Gucci's vocals are slow & matter of fact but with the atmospheric background keys it has this otherworldly twilight melancholy, as if traveling thru time is washing everything in a nostalgic sheen. Lyrically he explains where he's coming from & where he's gone, the "Juicy" story, similarly unapologetic:

bottom of the hill shootin' hoops sun valley,
n***a wanna jump me and take my starter jacket
13 years old but my big brother packin'
lets just say they aint take my starter jacket

& then flashback, jumps from a five dollar craps game in the lunchroom circa '97 to a million-dollar craps game in '08. "If you test this dog though, the owner starts barking."

27. Gucci Mane - Photo Shoot

26. Gucci Mane - Slumber Party

David:
"Photo Shoot" and "Slumber Party" are perfect examples of Gucci's breadth; neither of these are particularly hard tracks, not bangers in the traditional street anthem sense, but Gucci is never truly lazy on them; it's all incredibly creative material. They're more playful, almost 'for the ladies' joints, but in a more abstract sense, not with all the 'soft' earnestness that implies. Women, cars, cash & fame arent celebrated -- theyre simply inspirations to celebrate rapping, wordplay, the love of a clever turn of phrase. it's also another example of Gucci's ability to write great songs with Drumma boy; the "Photo Shoot" beat is a simple bump with his typical "Put On" synth buildups + camera shutter fx. Gucci's chorus is conceptually smart & contemporary (& perfect for the modern camera-crazy club experience). But lyrically, he's all style here: listen to the way his verses leave off on one consonant syllable or word, repeat & build:

Dont you wanna see the boy,
see the boy, see the boy,
come and take a poloroid,
poloroid, camera flash,
camera flash i see yo ass

His presence is central to the track's appeal; he uses this motif, repeating the last word & building on it throughout the song. Then there's his last verse, a shoutout to southern rap: "gucci smokin' fruity it look like a photo shoot / shout out to my n***a webbie my hoes independent too / me and shawty lo and a dude is smokin purple dro / me and gotti in a benz, man you know we get it in," then the beat gets put in reverse and gucci just goes crazy, flowing in slurred double time, the beat flipping back on itself, ending with a shoutout to Killer Mike, then the beat moves forward: "UGK my favorite group for years been ridin with them guys, 8ball told em lay it down, and I did it bout 30 times."

Slumber Party is another playful track with a carefully considered chorus where he just flips out lyrically; his flow goes even eights for the verses, and joyous wordplay: "banana boat full of blow, banana clip to cut ya throat, banana dro come take a smoke, banana diamonds yellow stones, heavy snow that berry blow that cherry coke got stupid dough, plenty mo' youd think i booked a hundred shows im sellin dope." So why do so many ppl still say dude can't rap?? I'm not trying to be on some "Kanye West compares Soulja Boy to Nas" shit at all here -- but these are genuinely great internal rhymes & all that good shit that you guys expect from your classic rappers.

The 30 Best Gucci Mane tracks of 2008 -- Intro

So that big event track leaked today, thrown up on every rap blog, "Bricks" remix with OJ Da Juiceman, Fabolous, 8ball & MJG and Shawty Lo. It says it still features Gucci but its just his chorus. Shit is kinda boring!! Event remixes seem really shitty lately. I just can't get down with most of them, no real in-studio feel & a bunch of phoned in lyrics. OJ gets to rap alongside: (a) past-his-prime NYer Fabolous & (b) & (c) living legends + (d) growing-more-tedious non-rapping one-hit southerner. Cool for him I guess. Ehh. The OJ appeal doesnt work as a BIG NAME BLOCKBUSTER remix rapper. It will be a lot better for him artistically if he remains an underground trap rapper who hustles out quality distinctive lyrical rap music for the next ten years & doesnt do much damage to the pop charts, like west coast cats who went gold throughout the 90s without really bothering the charts or getting on posse cut remixes with, i dunno, nelly and eminem.

I dont feel the same way about Gucci.



Gucci is a star, & you can tell he's known this for awhile; remember around the time he & Jeezy were beefing about the credits for "Icey" and Gucci accused of Jeezy of not being able to even write a hook or a chorus -- because Gucci knows he writes songs, not just raps. Then there's this interview from down-south.com:

I want to be a international star. I want to be a part of the history, a part of the movement of hip-hop. You feel me? I want people to say that I inspire them to rap and I can have a bigger fan base.

And for the last year and half, while the music press, from bloggers to xxl, pretty much ignored him or pretended he hadn't become the biggest movement in rap, Gucci turned out more mixtapes & built faster street buzz than anybody. Last winter after Back to the Traphouse dropped I copped the first of some ten-odd gucci mixtapes I'd grab this year. even gramaphone was carrying chicken talk 2, next to the boring ny mixtapes, juke and R&B mixes that normally dominate their mixtape selection. 92.3 was spinning him. My friend teaching in the public schools had a jr. high student arguing with her about how Gucci was better than Jeezy. Point is the buzz was real & had penetrated nationally, even though "Freaky Girl" was only a modest hit; it wasn't about singles like "Gucci Bandana," it was about mixtapes & material, and he dropped more music than anybody.

But you cant really sustain that buzz purely by being prolific; Gucci also had to became a great rapper.

Something happened after "Icey" -- listen to that joint again & hear, even when he thought Jeezy had no hits without him, how generic & plain his flow sounded compared to today. There was no character in his voice, or what there was was hidden. & thats part of the appeal of early Gucci, generic southern rapper, but u certainly wouldnt be blamed for thinking dude was also a permanent southern rapper without a future. But post-Big Cat records he figured something out, and really transformed. Its not just like Noz was saying in defense of that Soulja Boy youtube joint, an issue of 'practice'. Gucci shot into the stratosphere, not just as a rapper, but had developed into a multi-threat, multi-dimensional artist.

If you think about Pac & how he's managed to become a blueprint for a pretty wide variety of rappers' personas and motifs, it can be really informative here. Take T.I.; his rap career has that Pac-sense of nobility of purpose, the discipline it takes to get where he wants to be & a strong enough self-definition to set up emotional, resonant tracks about internal conflict without seeming either soft or hiding behind a facade. The flipside of Pac's disciplined promise was Pac's anger, his self-destructiveness, the whirlwind chaotic presence he represented & was perceived as; this aspect was especially emphasized in the media. Add a dose of southern country attitude and you get Gucci, and all the blendings of fact & 'character' this represents, the shirtless potbellied x-pill popping drinker with slurred voice and half-lidded eyes from the weed smoke, not giving a shit, reveling in status symbols and the haughty celebration of vibrantly colored cars&jewels, the unrepentant trap star too cool to express much emotion, getting sent back to prison for not finishing his community service (mixtapes dont count dude), assaulting a dude with a pool cue, the video capturing him throwing punches at a female artist ... and then how smart he comes off in that interview posted above, son of a schoolteacher & the pure talent he has as a writer, for creating images & motifs that sound anything but generic, his manic creative energy.

(T.I. had legal trouble too but now that hes sorta post-career 'safe' u can see it as the urgency he fought to escape the life he's from, while Gucci's edge & chaotic streak makes it seem like a careless embrace of the streets.)

The manic creative energy: an entire palette of adlibs that takes Jeezy's ayyyyyy branding to an entire nother level (burr!) post-Young Dro seafood + color prism raps, rims like go-go dancers, farts that smell like calamari, internal rhymes & switching up his flows on every other song, his sense of humor & love of a dumb punchline, the way his rap style developed thru 'dumbing' his flow into a stuffed-nose ignorant rap, a creaky, shambolic & highly addictive backwoods mumbling cadence. His taste in beats, also shambolic, 'cheap' contemporary & very unapologetically southern, less anthemic than Jeezy, more low budget, the trademark Zaytoven clatter with heavy 808s & lots of keyboards, Fatboi's symmetrical musicality, Drumma Boy's big budget southern rap blockbuster joints, DJ Speedy's clever conceptualizing. And then theres his hooks, catchy melodies & clever concepts (dont lie "15 minutes past the diamonds" made you laugh + rewind), a clear indicator that dude isnt just a rapper, he makes full-out songs -- which is why that recent 80-track monster mixtape of his verses sorta misses the point of Gucci).

In the next few days or so we'll be posting the 30 best Gucci tracks of 2008 (or around that time -- its not always easy to tell when this shit actually dropped. Let us know if theres some big cat era shit that somehow made its way in here). Im not gonna couch these choices on some 'just our opinion' shit cuz frankly theres a good chance we've heard more than you & are probably right, plus if we provoke u maybe someone will say something interesting. Theres already been an attempt by a few DJs to put out some compilations of Gucci's recent work but imo they were kinda uneven (much like many of the mixtapes he dropped this year). We're gonna try to post mp3s of these as we go but since most of them (not all) are jacked from mixtapes Im not interested in coming up w/ some big compilation at the end, instead I'll probably just recommend a couple of the best tapes for you to check out.

anyway lets just get this shit started.

Best Gucci Mane Tracks of 2008 -- 30-26
Best Gucci Mane Tracks of 2008 -- 25-21
Best Gucci Mane Tracks of 2008 -- 20-16
Best Gucci Mane Tracks of 2008 -- 15-11
Best Gucci Mane Tracks of 2008 -- 10-6
Best Gucci Mane Tracks of 2008 -- 5-1

ugh stop this shit OJ

Who the hell told OJ Da Juiceman the way to $$$ was rapping in autotune?? dude needs to knock this shit off, they're really abrasively terrible. "Baby Girl" is even worse than "Hell of a Life." Now I'm not one of those knee-jerk autotune haters but the sound is already getting way played & even then these tracks are not some last minute just-in-before-the-death-rattle gems or some shit, they would have sounded shitty 2 T-Pain hits deep. Dude needs to stick to uptempo Fatboi tracks and stop thinking hes gonna drop a 'love lockdown.'

If this ends up on the 'real' OJ album it will be a major bad move.